拙政园英语导游词（精选16篇）

拙政园英语导游词 篇1

The humble administrator's garden in suzhou in jiangsu Lou door. Is one of the four great ancient gardens in suzhou. Early as the tang dynasty poet Liu Guimeng house, yuan for the macro temple. MingZhengDe years with empire Wang Xianchen resign home, buy temple, transformed into home garden, pan yue, and borrow the jin dynasty "heir ju fu" : "...... and this is compensated with the force of the government "semantics, take" compensated "2 words for YuanMing. In 1860 ~ 1863 was part of the taiping heavenly kingdom zhong wang fu. Opening to the outside world in 1954.

Humble administrator's garden, garden, east park, west park in three parts.

East park and mountain pool, adorned with Shu incense pavilion, LanXueTang construction, etc. Western water circuitous, compact layout, mountain built pavilions, main architecture of the mandarin duck hall was the garden owner treating guests and listen to music, display hall. Sunny day by indoor looking at outside through the blue glass window scenery is like a piece of snow. Garden "sit with who xuan" is fan pavilion, sector on both sides of the real open two fan empty window on the wall, one of the "mandarin duck hall", and then the window and just reflected in the aspects of mountain Dai li kiosks, into the mountain, and dai li pavilion of exactly match into a complete fan. "Sit with who, the bright moon, the wind, I", so the sight of plaques, will think of su dongpo, and immediately felt here can enjoy the water of the month, is affected by the wind of the great.

In the humble administrator's garden is the best part of the overall layout for the center with pool, pavilions are built by the water, some TingXie is straight out of the water, has the characteristic of jiangnan. Body building hong tong in south bank pool, on the other side of the pool and observe things two mountain island, the water clear, broad mind lotus, tree-lined everywhere on the island, mountain water bank vines mixed and disorganized, two mountain valleys panel has a little bridge, mountain to build a pavilion on the island, west of snow YunWeiTing, east to be frost pavilion, the four seasons scenery because of time inconsistency. Far to the west of hong tong's "lean on jade xuan" with the west ship matter form "xiangzhou", is relatively and both its northern "Dutch wind all pavilion" into the potential of the tripartite confrontation, can with the potential of the reward. Lean on jade porch west of a southern song deep water bay in the house, there are three ShuiGe "small" blue waves, the north of it covered Bridges "small flying" disjunctive space, form a quiet water, and xiangzhou bay is located in the monohydrate on both sides of the mouth. The layout of the humble administrator's garden in the garden on lotus pond, far hong tong as its main body construction, two islands as its main feature in the pool, and other buildings are mostly over the water surface To far hong tong, from the point of building name, is mostly related to the lotus. Wang Xianchen are touted to lotus, mainly to express his exclusive group of noble character. This garden is given priority to with water, the water accounts for three 5 of buildings by the water, keep the clear and the landscape of of primitive simplicity style of Ming dynasty, is the representative works of the jiangnan gardens in our country. On December 4, 1997, included in the "world heritage list".

拙政园英语导游词 篇2

Dear visitors:

Everybody is good! Welcome to visit our country one of the most famous four gardens, suzhou the humble administrator's garden. Is the representative of private gardens in our country, and the humble administrator's garden is known as "the mother of all the gardens.

Ok, now let us into the garden. Humble administrator's garden is divided into three parts, of which the essence parts in the middle part. Why is named for the humble administrator's garden? Because the owner of the humble administrator's garden is Wang Xianchen, meaning: "I don't fit, an officer I am a silly person. After the humble administrator's garden doors and "remote" door "interesting" waist, we came to the east of the humble administrator's garden. In the south of the garden in the east there is a three studio room, called "LanXueTang". "LanXue" two words written by li bai "the spring wind is aspersed LanXue", a symbol of the master natural and unrestrained like spring breeze, such as clean LanXue noble sentiment. In addition to "LanXueTang", and "Shu incense pavilion", "day spring pavilion", "lotus pavilions", etc.

Now we will enter essence part. Some kinds of grilles, corridor wall to see if, will see 25 different styles of painting. Now, we continue to walk forward, front is reflection "floor". In front of the "inverted floor" is a path winding, spanning the water of the gallery. Ripples on the surface of the pool. Look at the top, as a fan, the roof of the tile surface like a folding fan fan, "dai li pavilion" spire behind like fan fan, simply connect seamlessly.

The visit to this end, tourists friends goodbye!

拙政园英语导游词 篇3

Humble administrator's garden was built in the Ming dynasty, Wang Xianchen master the zoo first. Him in jiajing, zhengde years in the supervision of the empire, in official career is not satisfied, come back from the office to buy land landscape, borrow the recluse "" compensated" place of the sentence, humble administrator's garden. Park main attractions are: LanXueTang, pavilions, Shu sweet lotus pavilion, looking pavilion, far from the hall, small, pavilions, green blue waves pavilion, etc.

Dominated points east, middle, west, home four parts. The residence is a typical residence in suzhou, now decorate for garden museum exhibition hall. East and lively open and bright, with flat, distant mountains, pine forest lawn, bamboo dock water is given priority to. The main attractions are: LanXueTang, compose yunfeng, pavilions, day spring pavilion, lotus Shu incense pavilion, etc. Humble administrator's garden in essence, the water area accounts for a third, give priority to with water, wide pool tree alum, natural view, arrangement of the water in the form is differ, strewn at random discretion, primary and secondary and clear. The main attractions are: far hong tong, xiangzhou, wind pavilion, small mountains tower, the flying all around, loquat garden, etc. Western main body building for near the home side longmont yuanyang pavilion, pool assumes the rue droit-mur, its main characteristics for the Chinese Taiwan pavilion points ups and downs, corridor, the reflection waves, interest, beautifully decorated. Main attractions: thirty six yuanyang pavilion, reflection, and who sat with hin, water corridor, etc.

East garden is introduced

LanXueTang: is the main hall, the east TangMing take meaning on li bai "independent between heaven and earth, the wind is aspersed LanXue" verse. Was built in Ming chongzhen eight years (1635), according to the Lord Wang Xinyi "belongs to the garden and field in" records, LanXueTang for five jacaranda thatched cottage, "something means to screen, then there are mountain, such as painting, and all kinds of clubs. Mae have bamboo, bamboo SengShe, DanMu brahman, when" from the bamboo, secluded environment. Hall before two tree pinus bungeana and vigorous like, verdant bamboo wall, and Shi Linglong lake, green grass clamp diameter, wall is linked together. Hall sits three studio, "LanXueTang" plaque hanging high, long window to the ground, the center of the hall divided by screen door, screen door to the south for a pair of carved lacquerware, panoramic view of the humble administrator's garden, "north for the bamboo figure, screen door are all made of suzhou traditional carved lacquerware craft, screen door on both sides of the partition board and skirt board inscribed with characters.

Compose yunfeng: LanXueTang north, peaks tower in the shadow of the green bamboo, mountain northwest bimodal coexistence, named "wall". Compose yunfeng, couplet peak to belong to the garden and field wall in garden scenic spot. Wang Xinyi "belongs to the garden and field", before LanXueTang pool, "fanaw have peak, cloud compose Miao trees, yue compose yunfeng. The name given to the pool they left two peaks, like the palm like sails, peak of united wall." Fold two peaks of the late Ming dynasty stone masters Chen works like a cloud, the lake stone, exquisite, renew the Zhao Songxue at the end of the yuan dynasty landscape painting as template. Compose yunfeng form gradually from bottom to top shape is large, its top YouWei, such as cloud, bully independence, no support. Summer night in 1943, compose yunfeng suddenly Pi. Later, in the garden, under the guidance of experts Wang Xingbo to pile into the up to two zhangs, and exquisite YaoJiao qifeng, peeling, and now the peak moss vines mixed and disorganized, there is no lack of ancient meaning.

The pavilions of the lotus: pavilions is a very beautiful ancient Chinese architectural form, with the surrounding scenery, constitute, and flexible in form. Hibiscus pavilions for volume shed roof rested on the top of the hill, the four corners to fly up, half built on the bank, half into the water, the spirit empty frame on the water wave, stands near the water, beautiful qian qiao. This wonderful facing wide pool, pool, is a good place to admire the lotus in summer. Walk lotus pavilions, pinglan, finding, visible green pool, make-up water, romantic beauty like a graceful fairy on mesh face-physick out of China and the United States, the breeze suddenly, a piece of green waves, sent the fragrant lotus,... Enjoy a taste of the lotus flower is beautiful, elegant and noble character.

Day spring pavilion, is a double-hipped roof was fixed, the eaves tall and external form the cloister, solemn plain, has the sit sill wai column, can take a rest. Pond surrounded by lawns, flowers and trees. Small pavilion beiping hills, slope, lush vegetation. Pavilion is "day spring" this name, because it has a well under, CiJing perpetual desiccation, water quality sweet, thus known as "spring". According to "the qianlong cheung chau county annals" records, the yuan dynasty, a teacher and a temple with a temple called big macro. For hundreds of years, ze monk living there, and set up a "east". Spring has well before lent, referred to as "day". Suzhou is a gesturing across, river, bridge, and well, but the history is rare. Wang Xinyi built "belongs to the garden and field house", has kept it, also make the garden smooth add how much pastoral scenery.

Shu incense pavilion: Shu incense, paddy fragrance, wall before all is farmland, the harvest season, autumn wind sent waves of rice fragrance, is glorious, the pavilion also hence the name. Shu incense pavilion for the main architecture of the east, hills of flour and water, as the structure of single eaves jehiel mountain, indoor capacious and bright, long window on the apron boxwood carving, a total of 48, according to expert textual research, one for "the west chamber", another one is "good luck". There, in "the west chamber" a "will yuanyang ying-ying went jumping the wall", "copy red" and "pavilion farewell" scenarios, such as fine chase, rich layers, lifelike. The setting sun, with a long afterglow on in Shu incense pavilion floor window. With delicate apron woodcarving, decorated Shu incense pavilion of primitive simplicity is elegant, full of interest.

Han qing ting: garden architecture, with the change of the booth. Pavilion is a kind of roof without wall of the hut, and exquisite lighter, generally by the roof, scape and stylobate of three parts. Point of view, the view in the garden, and for a nap, enjoy the cool, rain shelter. Humble administrator's garden pavilion more not only, and have different forms. Han qing pavilion at the corner, the space is relatively narrow range. But gardening bottom with tall, white wall, built a modular half pavilion, a second from Lord, pick out the main pavilion flat seat above the water, is like a waterside pavilion, both sides vice pavilion slightly backward, toward the left and right sides, like a gallery, the gallery, the main pavilion hair two peak, vice pavilion a peak, the entire pavilion is like a phoenix, wings to fly to flat, drab wall added flying electromotive force. Leaning TingBian beauty by small sit, the skylight cloud water, brocade carp, lotus lotus QingDang.

In the garden is introduced

Lean on rainbow pavilion: in the straight porch corridor to the west, sitting east toward the west, behind the gallery &, shuimu KuangYuan before, is an excellent after enter in the garden. Bamboo pavilion is the right of living, passing a have a stone Bridges, the name "rainbow bridge", bridge, stone reflects the style of the Ming dynasty, is a relic of humble administrator's garden in Ming dynasty. Standing in the middle of the pavilion, open water, winding division of the water. Midsummer, pond full of lotus red type green cover, a piece of jiangnan amorous feelings. Peep of deep shade, a beautiful, exquisite pagoda, this is the technique of using borrow scene, outside the garden thousands of metres north temple tower borrowing in the garden. Is "far" borrow scene "borrow" of the case.

The bamboo of living: the unique architectural style, clever chic the bamboo is a square, as the central ChiDong accent. The gallery pavilion peripheral red white walls, cornices, newborn back against the corridor, in the face of wide pool, a phoenix tree shade, bamboo, the living feeling. Pavilion wonderful place is surrounded by white walls opened four circular burrows, hole ring hole, hole hole, can be seen in different Angle of overlapping circle ring, ring, even the strange landscape. Four round David already fully, daylighting, elegant, and formed four beautiful window, framed by a small bridge flowing water, lakes and mountains, the bamboo of classical beautiful scene images, it interesting. "The bamboo of living" plaques for Wen Zhiming body. Concept of "cool, cool breeze Ming borrow move water watch mountain" couplets for the qing dynasty famous calligrapher zhao zhiqian written books, a laparoscope, usually connected to a part two borrowed words, points out the human and romantic, intimate love in harmony with nature; Bottom allied with a quiet move, one virtual real mutual foil, contrast, set each other off becomes an interest.

Snow sweet YunWeiTing: incense, refers to the plum blossom. YunWei, flowers and trees flourish. This pavilion is suitable for early spring to admire the plum, pavilion next to the plant may, fragrant. Bamboo grove around the green, lush trees, around the stream plate line, to have the taste of city forest. Pavilion is rectangle, on the pool Midwest heaped-up mountains, plain appearance and light, booth in plaques "between" mountain wild birds for contemporary artists Qian Juntao book.

Autumn harvest pavilion: garden grow a lot of loquat, loquat pregnant bud, bloom in winter, the spring as a result, the mature in summer, containing the gas of the four seasons, formed a pill with gold. Harvest pavilion, both for the praise of the jiangnan gardens, and harvest festival. Outside the pavilion wall in the middle of a square humanly scaled, humanly scaled side is accompany, stone beside the winter wintersweet, summer has a banana, and form a natural three-dimensional picture. Through the loquat garden burrows, harvest pavilion and fragrant snow YunWeiTing formed a set of places and this is one of the art of gardening technique.

Listen to woo hin

In the east of harvest pavilion, with the surrounding building corridors connect. Hin before a congested water, plant have lotus; After the pool has a banana, bamboo, porch also grow a clump of banana, set each other off. Five dynasties south down the poet Li Zhongyou poems said: "rain fall bamboo, a monk by old chess". Song dynasty poet compose poems said: "autumn rain sigh" rain "in half yellow lotus leaf green, two a voice". Modern suzhou horticulturist Zhou Shoujuan "banana" poems said: "the banana was raining on the rain, in the dream of broken jade ring." Here has a banana, bamboo, lotus leaf, whether spring, summer, autumn and winter, as long as it is a rainy night, because of the rain falls on different plants, coupled with the rain of different state of mind, since can hear the rain of each has its appeal, wonderful, do not have lasting appeal.

Haitang spring basin: lean on rainbow winding corridor, exquisite pavilion east tracery wall separating independent yard is haitang spring basin. The scroll type brick of chic modelling, embedded in the courtyard south of the wall. Nosocomial haitang several strains of spring flower is abundant, blushing like small jasper show appearance brilliant quality, superb unique kind of beauty. The estrogen acura of men of letters. The courtyard floor with green red and white three color cobble Mosaic and ChengHaiTang pattern. In the tea table decoration patterns are the Chinese flowering crabapple pattern. Everywhere there are attractions, the courtyard is small, quiet and tastefully laid out, is an ideal place to study have a rest.

Far hong tong: far hong tong for all hall, the humble administrator's garden is the central part of the subject construction, in the original MingZhengDe if the site of a luxury hall, built by qing emperor qianlong, bluestone foundation is the time of the original object. And its surface water building, single eaves jehiel the top of the hill, width between the three. The spacious hall of Peiping, kuang lang clear the pond. HeChi broad, red type green cover, pleasant fragrance. TangMing take zhou dunyi "wang" of "XiangYuan yi qing" in the sentence, the water through the plant lotus, due to the lotus name. Summer in the pool of lotus leaf tiantian, Dutch wind lifted, fragrant far, is the good place of appreciation. Park owner borrow from yu, expressed the landowner's sentiments. Inside the hall decoration transparent and exquisite glass French window, specifications, due to the long window nearby, around the scene of each has its appeal, mountain light watermark, panoramic view, like viewing landscape scroll. Elegant and refined indoor display.

Is water, small flying: suzhou humble administrator's garden is water park, water and bridge. In the humble administrator's garden masonry bridge, stone bridge, etc., small flying style is very special. Is the only covered Bridges in suzhou garden. In the song dynasty of the northern and southern dynasties BaoZhao "baiyun" poem "the flying jams Qin He, generic fog light string named". Scarlet bridge are reflected in the water, water waves, like the flying, so the thought of. Rainbow, it is after a storm comes a calm after a brilliant we across the land, the ancients to rainbow YuQiao, wonderful. It is not only a connection channel of water and land, and constitute a unique landscape with the center of the bridge. Little fly to hongqiao for three cross Shi Liang body, slightly arched, show eight word. Bridge deck railing on both sides with a swastika, three, eight columns, covered corridor room, decorated with upside down under eaves fang lintel, connected with song gallery on both ends of the bridge, is a beautiful covered Bridges.

Small: blue waves surging wave in northern song dynasty? Su Shunqin "surging waves pavilion called" cabinet, moral claustral retirement. Width between the three small pavilion, south north window sill, two face water, appearance is very chic, like room the room, like a ship FeiChuan, like bridge, the bridge, is entirely a ShuiGe planes on the surface of the water. ShuiGe across the pool, to divide the water again, builds the garden water in the end of the end, seemingly endless artistic skill. Ting corridor around, open water quiet courtyard. Formerly suzhou's old city numerous scholars, senators, both values house and general housing, all pay special attention to small space decorate, this little space is the courtyard, and the water garden is the unique small blue waves, on the one hand, it embodies the jiangnan amorous feelings, on the other hand, because the water landscape, yard inside and outside borrow scene with each other and build a special cool and refreshing environment.

Wind ShuiGe: pine, bamboo and plum in Chinese traditional culture is referred to as "poetic age", the literati freehand brushwork in traditional Chinese garden, especially love planted this kind of plant to "than", to express thoughts and feelings of the master. The cold depth, stays, the ancients will have noble moral sentiment, "the. Loose the vigorous like that attitude is drawn into the figure, often is one of the main species of Chinese garden. Wind ShuiGe also known as "listen to the wind place", is to look at the pine listen to the tao. The ShuiGe pavilion, your space is closed, the small discrepancy between gallery, the remaining three sides on the structure wall plus half the window. Roof eaves super-large, cornices case become warped, especially high, show the elegant demeanour that fluttered about, elegant light spirit, the entire building is not using structured south north direction, but the oblique Angle of 45 degrees, volley in the water, can avoid Yang ventilation, viewing the most suitable for the summer. Pavilion side of the plant have large number of strains, the wind blows over, pine away, song tao, color is ready, a landscape is a distinctive flavour.

Xiangzhou: xiangzhou is "matter" type structure, there are two layers of the tank floor, perfect the elegant and free and easy, its motions are reflected in the water, more appear center and graceful. Xiangzhou ideals and sentiments of the literati. Xiangzhou, with qu yuan's "FangZhou" allusions, chu "in" with qin xi biddy mining FangZhou xi rico, "sentences. Ancient often vanilla metaphor as lofty, vanilla with lotus landscape metaphor here, is also very appropriate. In numerous beautiful in Chinese classical garden, the humble administrator's garden xiangzhou is probably the most beautiful one shape. Is a bow, front is a pavilion, in the cabin for the pavilions, stern is cabinet, cabinet on the floor, line downy, proportion size is proper, reminiscent of the ancient suzhou, hangzhou, mountain water, yangzhou region soft, original scene like a cloud. Xiangzhou located in the water, as the stream of east, west and north and south river interchange, bounded by water on three sides, one side in accordance with the shore, of article three stone springboard "ship", standing in the bow, wave ripples, surrounded by open and bright, garden xiuse, makes the heart. The hot sun hot summer here but lotus gusty wind, lifted up his eyes, and cool and refreshing. There is written Wen Zhiming TiE xiangzhou bow, also specifically for the inscription of later generations. Xiangzhou this land boat, construction technique and elegant delicate, fascinating, make the person feel a kind of pursuit of noble personality.

Lotus pavilion: all around wind pavilion name due to load, is located in the central park pool island, budai, water in the lake lotus graceful net plant, the shore willow branches filar silk dance, pavilion single eaves hexagon, connect fully, all pavilion with column in the league: "lotus flowers all around three and a half face willow, tam colchicine well." In here is very appropriate. Especially the word "wall" in the league, pavilion buildings is the most open and without the wall between the column, so the line of sight from the shade, bright feel empty, although no wall, but three Banks of the river willows thrive, and surrounded by lotus surrounded, not collected around became a green wall of the soft? Moving exaggeration and rich imagination, gave the island pavilion even more colorful, slim and graceful. The wind wall motion, and the green waves rolling, fragrance 4 excessive, color, aroma, delicate shape. Spring willow light, summer lotus yan, autumn, winter hill is static, Dutch wind pavilion is not only the most appropriate summer heat, and is suitable for four seasons. If the wind from a height overlooking the lotus pavilion all around, but saw booth out of the water, cornices rippers andalusite tall and straight, base white jade, is clearly full TangHe holding a shone bright pearl.

See mountains: mountain building surrounded on three sides by water, on both sides of the mountain, from the west by flat roads into the underlying, while upstairs after climbing the mountain corridor or rockery stair. It is a residential buildings, the jiangnan style double-hipped roof tent, rested on the top of the hill, gentle slope, white wall tiles, colour quietly elegant, MingWa upstairs window, the wind of of primitive simplicity. The bottom is called the "lotus root shaughnessy", set the prince on the verandah along the water, when a nap may can view of thought, to admire the lotus, far the picturesque scene is grounds generally unfolds before our eyes. To the upper floor to see mountain, tao yuanming a yue: "picking tori, carefree and see nanshan." High building open, can be in the garden scenery panoramic view. The spring garden new cui, outstanding displays; Summer is the wind xu, fragrant lotus fragrance of; Autumn poolside rushes the wind chill bleak; Pleasant winter house full of warm Yang, snow. Previously, no tall buildings in suzhou city, telescopic, the building can be out of the outskirts of mountains. Legend has it the king of the taiping heavenly kingdom zhong qing xianfeng years building of political office. See mountain building and not dangerous, and smooth, with the surrounding scenery constitute a balanced picture.

Yulan hall, yulan hall, is an independent closed quiet courtyard, the master in the humble administrator's garden residential area and the border area of the garden, is the Lord met with the guests and handle the daily affairs of the main places, yulan hall tall and spacious yard cabinet and delicate. South wall tall, like paper, rattan grass painting on the wall, under the wall with a flower bed, tianzhu and bamboo grove, the lake stone number peak, yulan and osmanthus flowers, color, aroma and pleasant. Yulan hall has a "pen flower hall", and Wen Zhiming's former residence "pen flower hall" in the same name. This shows that when the Lord Wang Xianchen with Wen Zhiming between different general close relationship; Moreover, "the dream having flowers" is the ancient literati, a pursuit of creative inspiration. Reading in the painting, is a great enjoyment in life.

West park is introduced

Proper two pavilion: in the new world, on the left there is a rockery. Along the rockery stone, there is a hexagonal pavilion is located in the top of the mountain, that is "appropriate two pavilion". It faces Yu Zhongyuan and west park boundary cloud wall, pavilion base is higher, six sides, buy window pane for plum flower pattern. On appropriate two pavilion, overlooking the central scenery. Garden view, from the view of the progressive transformation unfolds, appropriate two pavilions highlighted on the gallery ridge, make whole garden scenery become stretches, form a very profound landscape space, this is a gardening technique on a typical example of "neighbor borrowed". "Appropriate" from an interesting story. Bai juyi in the tang dynasty and yuan ZongJian neighborship, there are tall willows leaned out of the walls in the yard, can enjoy it for two. Bai juyi wrote poems to praise way: "good moon night with three diameter, and the green Yang Yi for two spring", to the analogy between neighborhoods in harmony. That year, the humble administrator's garden in central and western all belong to two, west park owners do not build high-rise buildings, instead, piled mountain pavilion. He can see his envy in the pavilion in the garden scenery, and in the garden owner in the garden can be overlooking pavilions towering appeal, borrow the pavilion into the landscape, landscape, rich far zai! A pavilion should be two, add more add scene, and in this way, a good poem, a much-told story, makes a wonderful pavilion, a scenery.

Waveform corridor: garden border in XiHuaYuan and a water corridor, is rare elsewhere. Look from the surface, the water gallery is "L" ring pool layout, divided into two segments, built by the water, the south from the entrance to the new world, to longmont yuanyang pavilion; Section in reflection floor, dangling in the water. Here is a space, west park in water wall, as the boundary between the two garden cross there, how to plan a scene is a pause. Clever artisan borrow wall of corridor, ling water and build, with a unique place of survival is safe technique to break the wall rigidity, depressing situation, the gallery of the overhead, like plank road, according to the water made winding ups and downs, ways, make the landscape space full of elasticity, has the rhythm and rhythm. From south to north, and, after a series of morphological changes, a sudden sharp turn, pull it away from the garden wall, make the highlight on the tank, low water, or air, the gallery roof changes such as pavilion cover, the water in the vertical columns column, two small like DiaoTai, on the reflection waveform corridor near the floor near the end, one hole is set in the lower part of the tunnel, let corridor cross over, in the garden, west water system are interlinked, the gallery body too high to high. If far water corridor, is like changhong lying wave, splendid.

XiHuaYuan longmont yuanyang pavilion: is the main part of building, the elegant and luxuriant, called "18 datura flower pavilion", south north called "longmont yuanyang pavilion". A building at the same time, there are two names, this is a form of the mandarin duck hall of ancient building, in order to screen, cover, yarn Ge, a hall can be divided into two beams with flat, with round, like a merger of two into the hall, and its role is the southern half like in winter and spring, the northern half like summer, autumn. Mandarin duck hall width between the three, appearance is hard to the top of the hill, the plane square, the four corners of corner all have sophisticated wing of the pavilion, also called NuanGe. The northern half of pick out of the water, shored up by eight pillar pavilion built in the pool. In the middle of the hall of ginkgo wood carving glass screen will hall a separated in two. Which (hall) after linqing pool, summer, autumn when pushed lotus of the visible HeChi floating window, girlfriend, when the eastern han dynasty general huo guang "chisel (in) the garden pool, five-color water lily, yuanyang thirty six pairs, hope it can is if the beatles kam", the pavilion in its meaning, plaques is clear to manage to originate in suzhou top HongJun inscribed. Suzhou out talents since ancient times, the Ming and qing dynasties top ranked among the top nationwide, HongJun is one of them. He in folklore became a legendary figure, mostly because he was married to a generation of famous prostitute "golden flower to be his wife. The story of the golden flower was later people write novels, HongJun is that much more famous. South hall is 18 datura flower pavilion, like the winter and spring, remaining hall south xiangyang, yard fence is wind and warm, and make the interior has the right amount of sunlight. Datura flower camellia. Qing dynasty, Zhang Lvqian built this pavilion has 18 strains of rare plant camellia, winter flowers wither, camellia is as proud of snow wintersweet purples dou, "tree head thousands of flower of fire, cx to burn the red half a day." Showed vigorous vitality, showing a unique beauty, this pavilion plaques is suzhou in late qing dynasty by another top Liu Runxiang. Top and hong top lu hong in the suzhou dialect, homophonic "red, green" lu this red (flood) a green (lu) with two of them for the same city construction write plaques, for the hall. Longmont yuanyang pavilion ceiling adopts four volumes of arched shape, bending and beautiful, both on the top of the cover frame, and use the curved roof to reflect a sound, enhance the sound effect, make the lingering sound waves, leaves a has been. Master friends dinner, receive a visitor, have a rest here, the environment elegant, paved a square red woollen blanket in the hall, the flute flute, sing sing song. Display antique, calligraphy and painting hanging panel, furniture configuration is exact.

Reflection: reflection is given priority to with watching the water reflection of attractions. Floor is divided into two layers, the downstairs is for "worship" of wen yi shen, refers to the Wen Zhiming, shen refers to shen Chou (ishida), the two are of suzhou, a famous painter, shen Chou or Wen Zhiming's teacher. Humble administrator's garden is famous jiangnan, is with the great painter, the poet Wen Zhiming inseparable. , west park garden advocated more modest to express their admiration of love, Yu Guangxu 20 years (1894) was built to commemorate the building, his collection of Wen Zhiming, Shen Shitian portrait and the wang's humble administrator's garden, rubbings and YuSu lu book's stone fill garden, embedded in the two wall around downstairs. Banqiao's calligraphy and painting an original middle apron on. On one side of the surface water in the column installed between fully and exquisite window, window contains wooden low hurdles. Relies on the bar, but by water view. Left accompanying waveform promenade, right "sit with who xuan", especially the reflection of the scenery picturesque, all in the eyes. Underwater moon, the cloud pool, wave shadow floating, scenery. Upstairs is park owner daughter-in-law wang's study. Around the building through planting osmanthus flowers numerous, autumn to admire the remaining of the reward given, cinnamon, such as drinkers' wager game people drunk. Reading, copying, or poetry, and viewing joyful painting, all environment but person, dark sweet and lovely.

Sit with who hin: a small pavilion very chic, restore folding fan. Su dongpo words "sit with who? The moon, the wind, I", so named "sit with who xuan". Hin, water and plane shape for the fan, roof, porch door, humanly scaled, stone desk, stone, porch roof, chimney and wall plaques, gooseneck chair, half bar into arc shape, so it is also called the "fan pavilion". Hin in both sides of the fan humanly scaled hang du fu's poem league "Jiang Shanru needs, take willow from selfless." Eg fan pavilion is located in the foothills near the water, the geographical position, tree height and the males, stone house stood still, people in the porch, whether it is leaning against the door and looked at, pinglan overlook, or in accordance with the window myopia, small sit and rest, can feel the beauty around. After the fan pavilion heaped-up mountains there is a small pavilion, said dai li pavilion ". "Dai li" is a broad rimmed bamboo hat, pavilion as round shape, at the top of the slope is gentle, like a top a broad rimmed bamboo hat, in the flourishing grass tree, slam the door all decoration, simple. Mountain kiosk, collocation is symmetrical, lined by passing a landscape, peremptory a dai fisherman fishing, carefree. Predecessors had written word shout: "flowers she push a mark green, smoke cloud edges lot latent pavilion. Au before dai li eaves domain safety certificate, just for fishing. Red chardonnay edge yamadera Cain, green wrinkled river in the picture. My official willow tree girder around LongLing, sat listening to warbler." Sit with who hin and dai li ting is two different landscape architecture art, is also relatively rare in the classical gardens of pictographic architecture. Pavilion, porch, one integrated mass. Dai li has an octagonal two-storey pavilion, lofty style, really is remarkable. Lush trees on the mountain, lush, building seems to be floating on a piece of green shade, therefore is called "floating cui pavilion". Modelling towering volley, facade Ge fan decorated with beautiful pictures. 's cabinet look around, but see clear aqua green mountains, clear sky, garden green, a vibrant, relaxed and happy making a person, do not think to return. Fan pavilion, pavilion, the floating pavilion, the geographical position is in turn by the water, mountains, mountain, they come in all shapes and sizes, from low to high, step by step, like the scales of duo, for, microphones, coherent whole, make people intoxicated in this beautiful melody.

Leave room cabinet: for single cabinet, tiny, round window, cabinet front platform, the most worthy of a look in the cabinet is the qing dynasty ginkgo wood three-dimensional carved pine, bamboo and plum, magpie fly cover, embossing, engraved look, round, the combination of the art of using saber skilled, skilled and clever, the age of "poetic" and "magpie on mei" soft together two kinds of design, juncture place a trace, like nature itself, is the garden cover rare high-quality goods. Looked from the overall appearance, leave to pavilion is an abstraction of ship hall, hall, a former platform such as the bow. On the left side of the pond full of lotus, lotus laid during the growth, bud, flower, fruit is appearance state, ornamental period of expertise, from late spring pool surface emitted a little green canopy with pool money to summer, until the autumn thick leaves and flowers, each stage has its unique beauty. As the saying goes, no one hundred days red, beautiful flowers and eventually make dust "completion" zero mud ground, flowers and dry bleak outlook for difficult to see, only the autumn withered lotus pond but don't have a kind of incomplete beauty artistic conception, li shangyin has "left to the remaining listen to the rain" sentence, listen to cabinet is take the poetic and name. The flower faded, people already old, king of judah in, love unforgettable, touch the person state of mind, people who does. 44 back to a dream of red mansions, jia baoyu and Lin daiyu in gusu niang supports dynamic role of wood in the water with the touring, dai jade see full lotus pool, said I don't like most Li Yishan poem, just like his "keep the remaining listen to the rain..." Lin daiyu is a girl of great culture, sensitive, clever, but aloof and arrogant, don't want to go with the flow, so would the expression of li shangyin this cold quiet quiet beauty of poem. This is the description in the literary works, but she appreciates such a poetic realm XiHuaYuan also appear in the humble administrator's garden. The sounds of nature of nature, played in the Chinese garden or grand or joy or delight in the beauty of music.

Shadow pavilion: the pavilion from the top to the end and all round the pane are are octagon pattern, is one of the most beautiful buildings in the garden. Listen to it on the cabinet slipway, turn head tower shadow pavilion, feel wonderful to send. Narrow vertical drainage leading up to the level, have a certain distance, the depth of water bay is enhanced, the pavilion was fixed into the water, like a pagoda, dignified and pleasurable. True pavilion false, false or true is linked together, can yet be regarded as a unique landscape in the west garden. In the humble administrator's garden, there are two landscape related to pagoda. One is in lean on rainbow pavilion to see far outside the garden of north temple tower, one is this shadow pavilion by water. See in the garden in the pagoda is the entity, and see in XiHuaYuan pagoda is incorporeal. Whether false or true lookout tower tower house that let a person produce rich lenovo, leave deep impression. Shadow pavilion's position is not prominent, has reached the end of the garden. Smart master in water will far built a small pavilion, if compared the entire west park to the beautiful music melody, so their shadow pavilion Is the final quarter note. Screeching halt music let a person feel abrupt, and here are the shadow pavilion is form the complete movement. Even better, not only have a booth, but, as the song heritage sound aftertaste, aftertaste letting a person.

In the humble administrator's garden for a walk, the feeling is good, scenery is very beautiful, no matter which Angle is a picture.

拙政园英语导游词 篇4

Hello, everyone! My name is Suzhou Hangzhou, and I'm the guide of yourHumble Administrator's garden.

Now I'll take you to visit the Humble Administrator's garden, a worldcultural heritage, which is a private garden of a large family. It is the onlyscenic spot in China with four titles at the same time: national key culturalrelics protection units, national 5A scenic spots, national special touristspots, and UNESCO listed as world cultural heritage. Why does a former privategarden have such honor? Let's go to the end?

Above the main door of this high fair faced brick wall door, there arethree words "Humble Administrator's garden". Wang Xianchen, the founder of theHumble Administrator's garden, was an executive of the Ming Dynasty. He returnedto his hometown due to official frustration and started to build the HumbleAdministrator's garden on the basis of the site of a temple. In order to makethe garden more cultural, he invited Wen Zhengming, a representative of theWumen School of painting, as the chief designer, to participate in the blueprintdesign, and left the painting of the Humble Administrator's garden. WenZhengming, one of the four great talents in the south of the Yangtze River,outlined the overall layout of the whole garden with the aesthetic taste of apainter. After more than ten years, he finally completed the construction ofthis later famous masterpiece in the south of the Yangtze River. Wen Zhengming'sdesign, based on water, is a natural garden style, which strongly shows theaesthetic mood of Chinese landscape painting. So far, taking the real naturallandscape as the blueprint and integrating the artistic representation ofChinese painting has become a major purpose of Suzhou classical garden layout.The garden is named Zhuozheng garden, which is borrowed from the Western Jindynasty literati Pan Yue's "leisurely residence Fu" in which "build a room,plant trees, be at ease Irrigate the garden with vegetables for daily meals Itis also a humble person who is in charge of politics. It is implied that hetakes watering the garden and planting vegetables as his "political" affairs.Soon after the garden was built, Wang Xianchen died, and his son lost the wholegarden to Xu in a gamble. Over the past 500 years, the Humble Administrator'sgarden has changed its owner many times. In history, it was divided into twoparts and three parts, and then combined into one. The name of the garden variedfrom private garden to government garden, or scattered into folk houses. It wasnot until the 1950s that the garden was completely integrated and its originalname was restored. Among the numerous historical figures in the HumbleAdministrator's garden, Wen Zhengming, Cao Xueqin and Li Xiucheng areparticularly attractive. We will introduce them one by one when we visit thescenic spots.

Lanxue hall is the main hall in the east of China. The name of the hallcomes from Li Bai's poem "independent between heaven and earth, the breezesprinkles Lanxue". The hall has three rooms facing south, with a secludedenvironment. There is a screen door in the middle of the hall. To the south ofthe screen door, we will take a look at the painting "panorama of HumbleAdministrator's garden", which is made with Suzhou traditional lacquer carvingtechnology.

Zhuozheng garden was built in Zhengde period of Ming Dynasty in the 15thcentury. It is the largest existing classical garden in Suzhou, covering an areaof 78 mu. It is mainly built by water. Most of the buildings are built near thewater. The water corridor in the mountains is undulating and smooth. This grandview of the classical luxury garden, with its layout of the mountain island,bamboo dock, Songgang, Qushui of interest, is known as the "world gardenmodel.". The whole garden is divided into four parts: East, middle, West andresidence. Residence is a typical Suzhou residence. Most of the existingbuildings in the Humble Administrator's garden were rebuilt in 1850 when theHumble Administrator's garden became the garden of zhongwangfu in the TaipingHeavenly Kingdom.

The eastern part covers an area of about 31 mu. It was originally called"guitianyuanju" because in 1631 ad, the eastern part of the garden was namedafter Wang Xinyi, the Shilang. It presents an idyllic landscape, with buildingsdotted among the riverbanks and trees, and streams passing at the foot of therockery, creating an open space full of wild mountains and forests.

The central part covers an area of about 18 mu, with luxuriant flowers andtrees, beautiful scenery and elegant pavilions. It is the essence of HumbleAdministrator's Garden. The overall layout takes water as the center, and allkinds of buildings are placed near the water. The modeling is simple andelegant. The pavilions and pavilions are built near the water, and somepavilions and pavilions are straight out of the water, which has thecharacteristics of Jiangnan Water Town. The rockery is surrounded by pools andwater, and the top of the rockery is like an island in a lake. The whole spaceis full of natural charm, and the atmosphere is quiet and secluded. It shows thegardening pattern of the Ming Dynasty in the 16th century, and basicallymaintains the artistic style of the Ming Dynasty garden designer Wen Zhengming -thick, simple, and sparse.

In the west, it used to be a "Buyuan" with an area of about 12.5 mu. Itswater surface is circuitous and its layout is compact. Pavilions are built nearmountains and rivers. Because of the large-scale reconstruction, the style ofcrafty and artificial art formed after the Qianlong reign gained the upper hand,but the water stone part is still close to the central scenic area, and theundulating, tortuous and undulating water corridors and streams are excellentworks of Suzhou garden art. The present pattern maintains the style and featuresof the late Qing Dynasty's rich businessman Zhang Luqian.

"Zhuiyun peak" is a famous peak left over from Ming Dynasty. It was stackedby Chen Siyun, a master of Dieshan. It stands on the rockery behind the Lan XueTang, just like a cloud landing on the earth, dotted with the landscape, butalso like a barrier, hiding the garden and infinite painting behind. This"straight to the point" gardening method of "zhuoyun peak" blocking the sight ofthe guests is called "barrier scenery" and plays a fascinating role.

As soon as we enter the garden, what we see is not a panoramic pond, butthis huge lake stone. It's just like the girl who wants to meet and be ashamed,"still holding the Pipa and half covering her face". Here is the unique charm ofOriental women, leaving a mystery and a prospect for people to explore.

According to Wang Xinyi's guiyuantianjuji, there is a pool in front oflanxuetang, "there are peaks in the south of the pool, and the trees aredecorated with clouds, which is called zhuiyun peak. The two peaks on the leftside of the pool stand side by side, like palms and sails, which is calledLianbi peak. " What we see now are zhuiyun peak and Lianbi peak. The two lakestones stand at the intersection like patrons, just like the situation at thegate of Daguan garden described in the book. They are like beasts and ghosts.The strange stone on the right side is distributed like a vine. It has ears andnose. It has both shape and spirit. The two peaks are the works of Chen Siyun, afamous stone folding artist in the late Ming Dynasty. The lake stones used areexquisite and delicate, taking Zhao Songxue's landscape paintings in the lateYuan Dynasty as the model. On the summer night of 1943, zhuiyun peak suddenlycollapsed. Later, under the guidance of Wang Xingbo, a landscape expert, thisexquisite peak was built again. Today, the peak is mottled with moss and coveredwith vines.

拙政园英语导游词 篇5

Hello, everyone. Welcome to Suzhou. My name is Hua Hantao, and you call meXiao Hua or tour guide Hua. There are many gardens in Suzhou, among which theHumble Administrator's garden is one of the "four famous gardens" in China, andit is also a masterpiece of Jiangnan classical gardens. Today, I will take youto visit the Humble Administrator's garden for about two hours.

Zhuozheng garden is a representative work of private gardens in China. Inthe list of the first batch of national key cultural relics protection unitsissued by the State Council on March 4, 1961, it is a treasure of China'snational cultural heritage, known as the "mother of gardens in the world".

now, we have come to the main gate of Zhuozheng garden. You can see thatthere are three big words "Zhuozheng garden" above the main gate. Zhuozhenggarden was built in the fourth year of Zhengde in the Ming Dynasty. WangXianchen, the imperial censor, returned to his hometown because of hisfrustration in officialdom. He built the garden on the original site of Dahongtemple, with pavilions, small bridges, flowing water and towering ancient trees.The name of Humble Administrator's garden is abbreviated from the sentence of"this is also humble, it is political".

the hall house with three doors we see now is Lanxue hall. The word "LanXue" comes from Li Bai's sentence "spring breeze sprinkles Lan Xue", whichsymbolizes the noble sentiment of the host, who is as natural and unrestrainedas spring breeze and as clean as Lan Xue. There is a lacquer carving on themiddle screen door, which is a panoramic view of the Humble Administrator'sgarden.

next, we'll visit "wuzhu secluded residence". It's located in theeasternmost part of the garden, commonly known as "moon to wind Pavilion". Itsshape is very unique. Four big round openings remind us of the moon on the nightof August 15. If you stand in the pavilion and look out, the four round openingsare like four huge frames.

This is the world-famous Humble Administrator's garden in Suzhou. You arewelcome to visit Suzhou in the future. Goodbye.

拙政园英语导游词 篇6

Hello, everyone. I'm your guide. Let's visit the famous HumbleAdministrator's garden. Humble Administrator's garden is a typical garden workof Ming Dynasty. It is compact, simple and elegant. Humble Administrator'sgarden is centered on water. She is divided into three parts: East, middle andWest.

The first thing we came to is the east garden. Please see, the east side ofthe lawn is a broad area. On the west side of the lawn is a mound of earth.There are wooden pavilions on it. The flowing water lingers around the lawn. Thewillows on the bank are low. Among them are Shiji and Lifeng. There arewaterside pavilions and curved bridges near the water. It has a strong featureof Jiangnan Water Town. How beautiful it is!

Through the east garden, we came to the middle garden. The center of thepark is the pool. Pavilions and pavilions are built near the water. Somepavilions and pavilions are straight out of the water. Please see, that antiquehouse is the main hall Yuanxiang hall, which uses lotus fragrance as a metaphorfor character. It has long windows on all sides, and you can enjoy the sceneryin the garden. Ladies and gentlemen, please come to the north of the hall. Thereis a linchi platform. You can enjoy the island mountain and the pavilions in thedistance from the pool. The water here is clear, lotus is planted everywhere,and the mountain island is covered with trees. The scenery of the four seasonsvaries from time to time. It's so beautiful!

Let's go further west to see the west garden. The layout of the west iscompact, with pavilions built close to mountains and rivers. That is the mainbuilding of the west garden, the 36 Yuan Yang hall. It was the place where themaster of the garden entertained guests and listened to music. On a sunny day,you can see the outdoor scenery through the blue glass window, just like a snowscene. The pool of the 36 Yuan Yang Pavilion is in the shape of a curvedruler.

Humble Administrator's garden is full of beautiful scenery, which can't befinished in three days and three nights. Please take your time. Please payattention to health and safety when you visit, and don't litter.

拙政园英语导游词 篇7

Dear tourists, today we come to Zhuozheng garden, one of the classicalgardens in Suzhou. Humble Administrator's garden has a very long history.Covering an area of 78 mu, the garden is divided into three parts: East, middleand West. It was built in the fourth year of Zhengde in Ming Dynasty. It is saidthat Wang Xianchen compared himself with Pan Yue of Jin Dynasty. There is such apassage in Pan Yue's Ode to Leisure: "the ambition of floating clouds is tobuild a room and plant trees, and be at ease. The pond is enough for fishing,and the spring tax is enough for farming. We irrigate the garden with porridgeand vegetables for the day and night's meal, and shepherd's cheese for the costof wax. Filial piety is the only way to be filial, and friendship is the onlyway to be friends with brothers Wang Xianchen took the word "humbleadministration" as his garden name to vent his anger. Such a beautifulenvironment, please pay attention to health, keep clean.

Tourists, we are now in shijingtang. I believe you have seen it. The lotusin the pool is blooming. It's very beautiful. You can take photos here later.Some of these lotus or bud, drum, some lotus has grown a small lotus, there arenew buds. Please take good care of these lotus flowers and don't throw rubbishinto the pond.

Tourists, we are now in the garden of Eden. There are many strange flowersand plants, and all kinds of stones with strange shapes. The flowers here arecolorful. It's really a fairyland in the world. You can stand on this stone totake photos and get a panoramic view.

Tourists, now we come to xiaofeihong, the only gallery bridge in the HumbleAdministrator's garden. The red corridor bridge is reflected in the water, thewater is sparkling, just like a rainbow. The rainbow is a colorful bridge acrossthe earth after the rain. The ancients used the rainbow to describe the bridgewith a wonderful intention. It is not only a channel connecting water and land,but also a unique landscape centered on the bridge, which is a beautiful coveredbridge.

Well, tourists, today my tour guide task is over. Now I'll give you an hourto take photos and enjoy in the Humble Administrator's garden. Have a goodtime.

拙政园英语导游词 篇8

Humble Administrator's garden. Humble Administrator's garden was built inMing Dynasty, and Wang Xianchen was the first owner of the garden. In Jiajingand Zhengde years, he lived as an official censor. In his later years, he wasnot satisfied with his official career. He returned from office and bought landto build a garden. The main scenic spots in the park are: Lanxue hall, FurongPavilion, Shuxiang Pavilion, Guangyan Pavilion, Yuanxiang hall, xiaocanglangPavilion, Liuting Pavilion, Fucui Pavilion, etc.

The whole garden is divided into four parts: East, middle, West andresidence. The residence is a typical Suzhou residence, which is now arranged asa garden Museum exhibition hall. The eastern part is bright and cheerful, withPinggang Yuanshan, Songlin lawn and Zhuwu Qushui as the main parts. The mainscenic spots are: Lanxue hall, zhuoyun peak, Furong Pavilion, Tianquan Pavilion,Shuxiang Pavilion, etc. The central part is the essence of HumbleAdministrator's Garden. The area of the pool is 1/3. Water is the main form. Thepool is wide and luxuriant. The scenery is natural. There are differentbuildings with different shapes and sizes. The main attractions are: Yuanxianghall, Xiangzhou, Hefeng Pavilion, jianshanlou, xiaofeihong, Pipa garden, etc.The main building in the west is the 36 Yuanyang hall, which is close to theside of the residence. The pool is in the shape of a curved ruler. It ischaracterized by the separation of the platform and the hall, the undulatingcorridor, the reflection of the water wave, the unique taste, and the gorgeousand exquisite decoration. The main scenic spots are: 36 Yuanyang hall, invertedphoto studio, who to sit with, water Gallery, etc.

Introduction to Dongyuan

LanXue Hall: it is the main hall in the East. The name of the hall comesfrom Li Bai's poem "independent between heaven and earth, the breeze sprinklesLanxue". It was first built in the eighth year of Chongzhen (1635) of the MingDynasty. According to the records of the garden owner Wang Xinyi's"guiyuantianju", Lanxue hall is a five Ying thatched cottage, "the East and Westosmanthus trees are screens, and then there are mountains like a sheet, withplum blossoms growing vertically and horizontally. There is bamboo outside theplum. Bamboo is near the monk's house. The sound of Buddhism comes from bambooat dusk. "The environment is secluded. In front of the hall, the two white pinesare vigorous and clumsy, the bamboo on the wall is green, the Lake stone isexquisite, the green grass is in the path, and the East and West courtyard wallsare connected. The hall has three rooms facing south. The plaque of "Lan XueTang" is high, and the long window is on the ground. There is a screen door inthe middle of the hall. The south side of the screen door is a lacquer carvingpanorama of Humble Administrator's garden, and the north side of the screen dooris a picture of green bamboo. All of them adopt the traditional Suzhou lacquercarving process. The two sides of the screen door are carved with figures andlandscapes on the partition skirts.

Zhuiyun peak: in the north of lanxuetang, the peak is towering in the shadeof green trees and bamboos. In the north of Shanxi, two peaks stand side byside, named "Lianbi". Jieyun peak and Lianbi peak are the scenic spots ofguiyuantianju. According to Wang Xinyi's guiyuantianjuji, there is a pool infront of lanxuetang, "there are peaks in the south of the pool, and the treesare decorated with clouds, which is called zhuiyun peak. The two peaks on theleft side of the pool stand side by side, like palms and sails, which is calledLianbi peak. " The two peaks are the works of Chen Siyun, a famous stone foldingartist in the late Ming Dynasty. The lake stones used are exquisite anddelicate, taking Zhao Songxue's landscape paintings in the late Yuan Dynasty asthe model. From bottom to top, the shape of Jieyun peak is gradually larger, andits top is as big as a cloud, standing upright and independent, without support.On the summer night of 1943, zhuiyun peak suddenly collapsed. Later, under theguidance of Wang Xingbo, a landscape expert, this exquisite peak was builtagain. Today, the peak is mottled with moss and covered with vines.

Furong Pavilion: the pavilion is a very beautiful architectural form inancient China. It is made up of the surrounding scenery and its form isflexible. The roof of Furong Pavilion is the top of the mountain. The fourcorners fly up. Half of the pavilion is built on the shore, and the other halfis extended to the water. The sky stands on the water, standing at the edge ofthe water. This pavilion faces a wide pool with clear water, which is a goodplace to enjoy lotus in summer. Walking along the hibiscus Pavilion and lookingaround on the fence, you can see that the pool is full of green, pink and blackwater, elegant and elegant, like a graceful fairy looking forward to the bluewaves. The breeze rises suddenly, setting off a green wave, sending bursts oflotus fragrance Enjoy the beauty, elegance and noble character of lotus.

Tianquan Pavilion: it is an octagonal pavilion with double eaves. The eavesare high and the outside is a cloister. It is solemn and simple. There is a sillbetween the pillars for sitting and enjoying. Surrounded by lawns, flowers andtrees. The small slope of Pinggang in the north of the pavilion is lush withtrees. The pavilion is named "Tianquan" because there is a well under it. Thewell does not dry up all the year round and the water quality is sweet, so it iscalled "Tianquan". According to the records of Qianlong Changzhou county annals,during the Dade period of the Yuan Dynasty, there was a temple called Dahongtemple. After another hundred years, monk Yuze lived here and built a"Dongzhai". There is a well before Zhai, which is called "Tianquan". Suzhou is aland of water, with many rivers, bridges and wells, but few of them are recordedin history. As soon as Wang Xin built "guiyuantianju", he kept the well, whichalso added some pastoral scenery to the garden.

Shuxiang Pavilion: Shuxiang refers to the fragrance of rice. In the past,there were farmland outside the walls. During the harvest season, the autumnwind sent gusts of rice fragrance, which made people intoxicated. Hence the nameof the pavilion. Shuxiang hall is the main building in the East, facing waterand mountains. It is a single eaves structure. The room is spacious and bright.There are 48 pieces of boxwood carvings on the long window skirt. According tothe experts' research, one is the romance of the west chamber, and the other isJinyu Ruyi. Among them, there are scenes such as "Zhang Sheng jumps over thewall to meet mandarin ducks", "copy red" and "long pavilion to see off" in theromance of the Western chamber, which are exquisitely carved, rich and lifelike.At sunset, a touch of afterglow fell on the long window of Shuxiang Pavilion.With the exquisite wood carving of skirt board, the Shuxiang Pavilion isdecorated with simple elegance and unique taste.

Hanqing Pavilion: garden architecture, with Pavilion changes. Pavilion is akind of hut with only roof but no wall. It is exquisite and light. It isgenerally composed of roof, column body and platform base. In the garden, youcan point and view the scenery, and also provide people with rest, cool andshelter from the rain. The Humble Administrator's garden has many pavilions anddifferent forms. Hanqing Pavilion is located in a corner with narrow space.However, the gardener built a combined half pavilion with a tall white wall asthe base, one main Pavilion and two subordinate pavilions. The flat seat of themain Pavilion is above the water surface, just like a waterside pavilion. Theauxiliary pavilions on both sides are slightly backward and spread to the leftand right, just like a corridor. The main pavilion has two berms and theauxiliary pavilion has one berm. The whole pavilion is just like a phoenixspreading its wings, adding momentum to the originally flat and monotonous wall. Reclining on the edge of the pavilion, the beauty sits on the edge of thepavilion. In the sky, clouds and water, the koi roam and the lotus swings.

Introduction to Zhongyuan

Yihong Pavilion: sitting on the straight corridor to the west of thecomplex corridor, facing the East and the west, the corridor meanders behind,and the water and trees are broad in front. It is an excellent viewing pointafter entering the central garden. On the right side of the pavilion is Wu Zhu'ssecluded residence. In front of the pavilion is a small blue stone bridge, namedYihong bridge. The fence and stone quality reflect the style of the MingDynasty, which seems to be a relic of the Humble Administrator's garden of theMing Dynasty. Standing in the pavilion, the open pool water in the middle andthe curved bridge divide the water. In midsummer, the lotus in the pool iscovered with red clothes, which is full of Jiangnan style. Deep in the shade, abeautiful and exquisite pagoda can be seen. This is a way of borrowing sceneryto borrow the Beisi pagoda, which is more than 1000 meters away from the garden.It is a good example of "Yuanjie" in "Jiejing".

Wuzhu seclusion: wuzhu seclusion with unique architectural style andingenious design is a Square Pavilion, which is the main view in the east of thecentral pool. The pavilion is surrounded by corridors, red pillars and whitewalls, cornices and raised corners, backed by long corridors, facing the widepool, with Wutong shading and bamboo trees. The beauty of the pavilion is thatthere are four round openings on the white walls around the pavilion. The holesare round and the holes cover the holes. The four round openings are not onlytransparent, daylighting and elegant, but also form four beautiful frame scenesof flowers and windows, small bridges and flowing water, beautiful scenery oflakes and mountains, and the charm of bamboo. The plaque of "wuzhu secludedresidence" is in the style of Wen Zhengming. The couplet is written by ZhaoZhiqian, a famous calligrapher in the late Qing Dynasty. The first couplet usestwo loan words to point out the intimate relationship between human beings andthe wind, moon and nature. The second couplet uses movement, emptiness andreality to set off and contrast each other.

Snow fragrance cloud Pavilion: snow fragrance, refers to plum blossom.Yunwei refers to the flourishing of flowers and trees. This pavilion is suitablefor appreciating plum trees in early spring. Plum trees are planted beside thepavilion and the fragrance floats. Surrounded by green bamboos and lush trees,it is quite interesting to walk around the river. The pavilion is rectangular,on the earth mountain in the central and western part of the pool. Itsappearance is simple and light. The plaque "between mountain flowers and wildbirds" in the pavilion is written by Qian Juntao, a contemporary calligrapherand painter.

Jiashiting: many loquat trees are planted in the garden. Loquat trees havebuds in autumn, blossom in winter, bear fruit in spring and mature in summer. Itcontains the atmosphere of four seasons and forms a golden pill. Jiashi Pavilionis not only a praise of Jiangnan famous garden, but also a celebration ofharvest. There is a square window opening in the middle of the pavilion wall. Onone side of the window opening is the Taihu stone. Beside the stone, there arewintersweet and banana in summer, forming a natural three-dimensional picture.Through the entrance of the loquat garden, Jiashi Pavilion and Xuexiang YunweiPavilion form a group of scenery, which is one of the artistic techniques ofgardening.

Listen to Yuxuan

In the east of the harvest Pavilion, it is connected with the curvedcorridor of the surrounding buildings. In front of the pavilion, there is a poolof clear water with lotus; beside the pool, there are plantains and greenbamboos; behind the pavilion, there are also plantains. In the Five Dynasties,Li Zhong, a poet of the Southern Tang Dynasty, wrote a poem: "listen to the raincoming into autumn bamboo, leave monks to cover old chess"; Yang Wanli, a poetof the Song Dynasty, wrote a poem "autumn rain sigh", which said: "banana leavesare half yellow, lotus leaves are green, two autumn rain families have onefamily voice"; Zhou qianjuan, a modern Suzhou horticulturist, wrote a poem"banana leaves are drizzling, but the sound of broken jade is still heard in hisdream." There are banana, green bamboo and lotus leaves here. No matter inspring, summer, autumn and winter, as long as it's rainy night, because the rainfalls on different plants, and people listen to the rain have differentattitudes, they can hear the sound of rain with different tastes. It's wonderfuland has a unique charm.

Haitangchunwu: it is a small independent courtyard separated by the flowerwall on the east side of Linglong hall. The book style brick forehead withunique shape is embedded in the south wall of the courtyard. There are severalbegonias in the hospital. In the early spring, the flowers are as beautiful asjasper in a small family. They are beautiful and beautiful. The literatieulogized it. The courtyard floor is inlaid with green, red and white pebbles toform Begonia pattern. The decorative patterns of tea table in the hospital areall Begonia patterns. There are scenic spots everywhere. Although the courtyardis small and quiet, it is an ideal place for reading and rest.

Yuanxiang Hall: Yuanxiang hall is a four side hall, which is the mainbuilding in the middle of Humble Administrator's garden. It was built inQianlong period of Qing Dynasty on the site of ruoshu hall in Zhengde of MingDynasty, and the base of bluestone house is the original thing at that time. Itis built on the surface of water, with a single eaves resting on the top of themountain and three rooms wide. The North platform of the hall is spacious andclear. The lotus pond is wide, with red clothes and green cover, and pleasantfragrance. The name of the hall is based on the famous sentence of "Xiang YuanYi Qing" in Zhou Dunyi's "Ai Lian Shuo". Lotus flowers are planted all over thewater, so it gets its name. In summer, the lotus leaf field in the pool, thelotus wind blowing on the face, and the fragrance sending far away, is a goodplace to appreciate the lotus. The garden owner borrows the flower from themetaphor, has expressed the garden owner noble sentiment. The hall is decoratedwith transparent and exquisite glass floor long windows with neatspecifications. Due to the emptiness of the long windows, there are variousinteresting scenery around, such as mountain light, water and shadow. You canhave a panoramic view, just like watching mountains and rivers. The interiorfurnishings are elegant and exquisite.

Xiaofeihong: Suzhou is a water town, Humble Administrator's garden is awater garden, where there is water, there is bridge. In the HumbleAdministrator's garden, there are stone slab bridges, stone arch bridges, etc.It is the only corridor bridge in Suzhou gardens. It is named after the poem"flying rainbow overlooking the Qin River, misty and light string" written byBao Zhao in the Song Dynasty. The scarlet bridge hurdles are reflected in thewater, and the water is sparkling, just like a rainbow, so it is named. Therainbow is a colorful bridge across the earth after the rain. The ancients usedthe rainbow to describe the bridge with a wonderful intention. It is not only achannel connecting water and land, but also a unique landscape centered on thebridge. Xiaofeihong bridge is a three span stone beam, slightly arched, in theshape of eight. Both sides of the bridge deck are equipped with ten thousandcharacter guardrails, three rooms and eight columns, covering the corridorhouse. The eaves are decorated with upside down lintels. The two ends of thebridge are connected with the curved corridor, which is a beautiful corridorbridge.

Xiaocanglang: xiaocanglang takes the name of "Canglang Pavilion" of SuShunqin in the Northern Song Dynasty as the name of the pavilion, implyingseclusion. The small pavilion is three rooms wide, with south windows and Northsills. It faces the water on both sides. Its shape is very unique. It looks likea house but not a house, like a boat but not a boat, like a bridge but not abridge. It is a water Pavilion on the water. Across the pool, the water Paviliondivides the water surface again, making the end of Zhongyuan Shuiwei seeminglycontinuous, with superb artistic techniques. Surrounded by pavilions andcorridors, it forms an open quiet water courtyard. Once upon a time, there weremany families of literati and officials in the ancient city of Suzhou. No matterthey were Chinese houses or ordinary houses, they all paid special attention tothe decoration of small space. This small space was the courtyard, and the watercourtyard was the unique small wave. On the one hand, it reflected the customsof the water town in the south of the Yangtze River. On the other hand, becauseof the water landscape, the courtyard built a special cool environment byborrowing the scenery inside and outside.

Songfengshui Pavilion: pines, bamboos and plums are known as the "threefriends of the winter" in traditional Chinese culture. In the literati freehandgarden, they are especially fond of planting such "bide" plants to express themaster's thoughts and feelings. The pine tree does not wither in the cold and isevergreen all the year round. The ancients described it as a person with noblemoral sentiment. The vigorous and clumsy posture of pine is often depicted inthe picture, and it is one of the main tree species in Chinese gardens.Songfengshui Pavilion, also known as "listening to songfengchu", is a place tosee songtingtao. The water pavilion has a sharp square roof, and the space isclosed. It is accessed by a small gate in the corridor. The other three sidesadopt the structure of half wall and half window. The eaves of the roof are verylarge, and the cornices are especially high, showing the elegant and lightstyle. The whole building is not in the regular direction of due south and duenorth, but slants over 45 degrees, and is suspended on the water, which canavoid the sun and ventilate. It is most suitable for viewing in summer. Thereare several black pines planted on the side of the pavilion. The wind blows, thepine branches move far away, the pine waves sound, the color and sound are allready. It is a unique landscape.

Xiangzhou: Xiangzhou is a "boat" type structure with two storeys of cabins.The whole body is elegant and free. Its posture is reflected in the water,making it more elegant and elegant. Xiangzhou reposes the ideal and sentiment ofliterati. Xiangzhou uses the allusion of "Fangzhou" in Qu Yuan's works. There isa sentence in the songs of Chu that "if you pick Fangzhou, you will leave yourdaughter.". In ancient times, vanilla was often used as a metaphor for a nobleman. Here, lotus landscape is used as a metaphor for vanilla, which is also veryappropriate. Among the numerous stone boats in Chinese classical gardens, theHumble Administrator's garden Xiangzhou is probably the most beautiful one. Thebow of the boat is a platform, the front cabin is a pavilion, the middle cabinis a pavilion, and the stern is a pavilion. The lines of the pavilion are gentleand undulating, and the scale is appropriate. It reminds people of the warmmountains and soft waters and the picturesque boats in Suzhou, Hangzhou,Yangzhou in ancient times. Xiangzhou is located at the edge of the water, justat the intersection of the East and west water flow and the north-south river.It is surrounded by water on three sides and on the other side by the bank. Thespringboard composed of three stone bars boarded the "boat" and stood in the bowof the boat, rippling and bright all around. The garden is beautiful andrefreshing. The sun is scorching, but the wind blows here, and it's cool. On thebow of the Xiangzhou ship, there was a inscription written by Wen Zhengming,which was specially inscribed and postscript by later generations. Xiangzhou, adry boat, is elegant, exquisite and fascinating, which makes people feel apursuit of noble personality.

Lotus wind Pavilion: the pavilion is named for lotus. It is located on asmall island in the middle of the garden. It is surrounded by water. The lotusPavilion is planted in the lake. Willow branches are dancing on the lake bank.The pavilion has a single eaves and six corners. It is transparent on all sides.There are holding column couplets in the pavilion: "lotus on all sides, willowon three sides, half pool, autumn water and one Fangshan." It's very appropriatehere. In particular, the word "wall" in Lianzhong is well used. The pavilion isthe most open building. There is no wall between the columns, so the sight isnot blocked. It feels transparent and bright. Although there is no wall, thewillows on the three sides of the river bank are luxuriant and surrounded byhibiscus. Isn't it a green fragrant and soft wall? The moving exaggeration andrich imagination make the pavilion on this island more beautiful It lookscolorful and charming. The wind blows on the wall, the green waves roll, thefragrance overflows, and the color, fragrance and shape are excellent. Lightwillows in spring, bright lotus in summer, clear water in autumn, quietmountains in winter, and lotus wind. Pavilions are not only suitable for summerand summer, but also for all seasons. If you look down at the pavilion from aheight, you can see that the pavilion is out of the water, the cornice isprotruding, the red pillars are tall and straight, and the base is jade white.It is clearly a bright pearl in the arms of lotus in the pond.

拙政园英语导游词 篇9

各位游客 ：现在我们位于的是苏州古城东北面最大的名园“拙政园”。它与北京颐和园、承德避暑山庄、苏州留园合称为中国“四大名园”，被誉为“天下园林之母”。有人说，拙政园酷似我国古代文学巨著《红楼梦》中所描述的大观园，这话究竟有没有道理?还是请大家跟我走进拙政园，去探寻一下大观园的影子吧!

现在我们看到高高的砖砌墙门的正上方，有砖雕贴金的门额“拙政园”三个字。拙政园始建于明代正德四年(1520xx年)。明代御史王献臣因官场失意而还乡，以大弘寺址拓建为园，借西晋潘岳《闲居赋》“拙者之为政”句意，自我解嘲，取名为“拙政园”。王献臣死后，他的儿子以拙政园为赌注，一夜之间输掉了。自此拙政园400余年来，屡易其主，历经沧桑，几度兴衰。

拙政园与苏州其他古典园林一样，是典型的宅园合一，有宅有园，前宅有园的格局。拙政园的花园分东园、中园、西园三部分，整个造园以山水并重，以水池为中心，水面占全园的五分之三，亭榭楼阁皆临水而立，倒映水中，相互映衬。

各位游客：现在从园门进去便是东花园。入园后，首先映入眼帘的是东花园的主厅“兰雪堂”。“兰雪”二字出自李白“春风洒兰雪”之句，有清香高洁、超凡脱俗之意。厅堂面宽三间，中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园氛围三个部分：东部，曾取名为“归园田居”，以田园风光为主;中部，称为“复园”，以池岛假山取胜，也是拙政园的精华所在;西部，称为“补园”，以清代建筑为主。整个院子没有明显的中轴线，也不对称，但错落有致，疏密得体，近乎自然，是苏州园林中布局最为精巧的一座。

走出兰雪堂，迎面有一组太湖石假山。这块名为“缀云峰”的假山高耸在绿树竹荫中，与西侧凉快形状怪异的石峰并立，叫做“联壁”。水池边山峰外形似船，俗名“翻转划龙船”。走到这里，似乎有似曾相识的感觉，大家可能都会联想到《红楼梦》中大观园进门处的假山，同这座假山极为相似。

兰雪堂的东北面，临水而筑的这座卷棚歇山顶的建筑，就是“芙蓉榭”。此榭为东花园夏日赏荷的绝佳之处。面对荷花池，背倚高墙，一边开阔，一边封闭，给人一种宁静的气氛。加拿大温哥华“逸园”中的水榭，就是参照此榭设计的。

芙蓉榭以北是一片紫薇草坪，中间耸立的那座重檐攒尖八角亭，名为“天泉阁”。阁中有“天泉井”，相传此井为元代大弘寺东斋的遗迹。夏日可在此阁欣赏紫薇花。这座建筑物，从外面看似乎是两层，在里面看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在“天泉阁”的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。

那座外观轻快明朗，体量较大的四面厅，称“秫香馆”。顾名思义，就是欣赏稻麦飘香的地方。“楼可四观，每当夏秋之交，家田种秫，皆在观望中。”现在所见到的“秫香馆”，其主体建筑是60年代重修拙政园时从东山搬迁过来的，体量偏大，与原景略有不同。

秫香馆西南，隔溪有一土山，上有长方亭，名“放眼亭”，取唐代白居易“放眼看青山”诗意，亦曾叫“补拙亭”。在亭中居高临下放眼四望，东园景色尽收眼底。

东中花园以这条复廊分隔，复廊的墙壁上开有25个漏窗，不同的团被水中波纹反射叠印，随着步移花窗的变换，园内景色也不断地变化。穿过复廊的黑漆大门，便到了中部花园。看这座半亭倚墙而作，亭中有一圆拱门，三面凌空，长廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，极远处又有一亭，亭内也有一圆拱门，这就是西花园的“别有洞天”园门。而在亭台楼阁旁，小桥流水之上，古树花木之间，屹立着一座宝塔，那就是园外远处的北寺塔，给人以一种“庭院深深深几许”的感觉。这一借景的手法，运用得很成功，园主确实费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，浴室园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。

中园是拙政园的主体部分和精华所在。总体布局以水池为中心，分布着高低错落的建筑物，具有江南水乡特色。现在各位请看池岛假山，池岸曲折，水绕山转。假山上的“悟竹幽居”，山顶的“待霜亭”和“雪香云蔚亭”点缀其上。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山，具有中国山水画的传统构图特色，也体现了“横看成岭侧成峰，远近高低各不同”的意境。

下面我们先来观赏“悟竹幽居”。此亭俗称“月到风来亭”。与众不同的它是一个方亭，4个大大的圆洞门使人马上会联想到八月十五的月亮。人站在其中向外看，犹如四个巨大的镜框镶嵌着苏州园林一年四季的风光：北面青竹石笋，西面嫩荷吐尖，南面梧桐秋雨，东面梅花怒放。亭内有文征明的书额和对联：“爽借清风明借月，动观流水静观山。”慢慢品味，似乎有皓月当空、清风徐徐和远望群山、近看流水的那种赏心悦目的感受。

跨过九曲石板桥，沿着弯弯曲曲的山间小路缓步登山，这座轻巧若飞的亭子就是“待霜亭”。“待霜”取义于唐代诗人曾任苏州刺史的韦应物的诗：“书后欲提三百颗，洞庭须待满林霜。”字里行间透出了一股霜浓橘红的山野气息和泥土芳香。

穿过丛林，越过小溪，步上石阶，就到了“雪香云蔚亭”。它位于岛的中央制高点。居高临下，与远香堂遥遥相对，站在亭内，园中各处亭台楼阁一览无余。停住上有文征明手书的对联，上方还有明代画家倪云露的“山花野鸟之间”题额。

各位游客：现在我们来到中部花园的中心池边，这里四面环水，三面植柳，围绕水面，有荷风四面亭、香洲、见山楼、倚玉轩、小飞虹、小沧浪和远香堂等景点。

湖中岛上的“荷风四面亭”上有一幅很有趣的楹联，不仅描绘了此处的景色特点，还巧妙地点出了四季景：“四壁荷花三面柳，半潭秋水一房山。”楹联上联仿济南大明湖“小沧浪”清代书法家铁保所书的楹联：“四面荷花三面柳，一城山色半城湖”。下联则仿照唐代诗人李洞的“看待诗人无别物，半潭秋水一房山”。

与“荷风四面亭”隔山相望的是“香洲”。“香洲”的“洲”同“舟”同音，实际上是一座船型建筑物，可称为石坊或旱船，似乎是一只官船在荷花丛里徐徐而行。而这艘石坊由亭、台、楼、阁、榭五种典型建筑组合而成：船头为荷花台，茶室为四方亭，船舱为面水榭，船楼为澄观楼，船尾为野航阁。苏州是典型的江南水乡，古代大都以舟代步，家家临河，处处通船，所以在园林中也建有石坊。同时石坊也可以经常提醒人们“水可载舟，亦可覆舟”的道理，借此表白园主“处江湖之远，则忧其君”的心迹。

经过九曲石桥，沿着游廊走，就见到“见山楼”，古代叫做“藕香榭”。见山楼语出陶渊明“采菊东篱下，悠然见南山”名句。它三面环水，似苍龙嬉水，楼是龙头，水廊是龙身，云墙是龙尾，门洞是龙嘴，曲桥是龙须。相传此楼曾被用作太平天国忠王李秀成的办公之处。登楼远眺，可见苏州西南的灵岩山。这里视野开阔，为北部的主景区，与南部次景区小沧浪、小飞虹和得真亭的空间窄小的布局形成对照。

从“见山楼”沿着游廊往南走，可以来到“小沧浪”。“小沧浪”的出典是《楚辞.渔夫》，原话是“沧浪之水清兮，可以濯我缨;沧浪之水浊兮，可以濯我足”。用现代的语言来解释，就是倘若朝廷清明，我就洗洗帽缨，准备出仕辅助朝纲;倘若朝廷昏庸，我就洗洗双脚，决心引退逍遥自在。“小沧浪”是一座三开间的水阁，南窗北槛，两面临水，跨水而居，构成一个闲静的水院。站在“小沧浪”前往北看，廊桥“小飞虹”倒映在水里，水波荡漾，犹如彩虹。这里是观赏水景的最佳去处。只见藕香榭前各路水源汇聚一池，似乎“浩浩荡荡，横无际涯”，到了香洲前，突然分流四去，其中一条支流弯弯曲曲，扑面而来，经过“小飞虹”，过“小沧浪”，有种余味未尽的感觉。

从小沧浪往东走，就来到了“远香堂”。远香堂位于中部花园的中心位置，回抱于山池之间，后面宽阔的平台连接荷花池。夏日荷花盛开时，荷风扑面，清香远送，所以称为“远香堂”。远香堂建筑形体高大，而且厅内没有一根阻碍行动和视线的庭柱，四面都镶有玻璃，可以坐在厅里品茶、聊天、看景。厅的南边是一座峻峭的黄石假山，北边是池岛假山，东边山坡上有“绣绮亭”，西边池塘边有“倚玉轩”，给人以近山远水，山高水低的感觉。“远香堂”匾额原为乾隆年间著名学者沈德潜手笔，现为近代书法家张辛稼补书。两边有一副对联，共80字，是苏州诸多园林中最长的对联，记载了当年八旗奉直会馆达官贵人聚会时的盛况。苏州古典园林建筑物，十分重视意境的设计，用大量的匾额楹联书法作点缀，既记述了名园的历史，又点明了景点的精华，还书法了园主的情怀。

远香堂的东南角圆洞门中，深藏着一组各具特色的小建筑，闲庭别院，这里被称为拙政园中的“园中园”，因种有枇杷而得名“枇杷园”。各位游客走到这里，见到前面一道云墙，两面种有牡丹，正当“山穷水尽疑无路”时，再往前走就发现黄石堆砌的假山遮住了旁边的一个门洞。当我们步步走近时，门洞渐渐扩大，你会发现门洞像一轮明月，镶嵌在白色的云墙上。穿过门洞后，这轮明月又被这边的黄石假山慢慢地遮住了。从月洞门外向南看，嘉实亭掩映于枇杷丛中;入洞门回首北望，掩映于烟波林木中的雪香云蔚亭与月洞门、嘉实亭同在一条视线内，收到了隐蔽对景的效果，由此可见，苏州古典园林在辟门开窗时，除考虑到出入和采光外，力求处处有景，景随步移。

枇杷园以庭院建筑为主，有玲珑馆、嘉实亭、听雨轩和海棠春坞等。这些建筑把空间分为3个小院，而小院既隔又连，相叠穿插，空间和景物处理上富有变化。每个庭院的天井，用肉眼看大小一般，但用脚步量一下却发现相差甚大。原来“玲珑馆”前的云墙造得较矮，视野开阔就显得大。而“海棠春坞”尺寸比较小，但开了几个漏窗，使天井显得比较宽敞。“听雨轩”前的天井面积比较大，就开了一个小池塘，使天井大小适宜，园景丰富。当年园主喜欢同家眷在这里，一边品尝苏州的船点，一边细听那余地打在瓦楞片上、芭蕉叶上、碎石地上，发出各种声音，陶醉在大自然的音乐创作之中。“嘉实亭”里有一幅对联“春秋多佳日;山水有清音”，用在这里，惟妙惟肖。

从中花园穿过“别有洞天”的圆洞门后，就来到了西花园。西花园的主体建筑 “卅六鸳鸯馆”和“十八曼陀罗花馆”是鸳鸯厅结构。外面看是一个屋顶，里面是四个屋面;外面看是一个大厅，里边分为两个客厅，北面客厅是夏天纳凉用的，南面客厅是冬天取暖用的。进门时，圆洞门上方的“得少佳趣”篆体砖雕把我们引入佳境。北厅“卅六鸳鸯馆”馆名为清代状元洪钧所书，南厅的“十八曼陀罗花馆”馆名出自清代状元陆润庠的手笔。鸳鸯是美满姻缘的代名词，曼陀罗花是延年益寿的吉祥物。曼陀罗花即是山茶花的别名，园主在小院中种了各种山茶花18种，故取名“十八曼陀罗花馆”。这个大厅造型别致，椽子为弓形和弧形，四角有耳房，相传是园主听昆曲的地方。这里四面窗格上都嵌有菱形蓝白相间的玻璃，构成美丽的图案，每当剩下烈日时，阳光透过窗户变成一道道蓝白相间的光束，洒在地上泛起阵阵凉意。如果游客们有兴趣的话，可以靠近蓝色玻璃窗往外看，只见屋顶上、树枝上、石块上、荷叶上，都像是洒上了一层白雪。

西北面的“留听阁”，取唐代诗人李商隐诗“秋阴不散霜飞晚，留得枯荷听雨声”之意命名。南面飞罩是银杏木立体雕刻松、竹、海、雀的花纹，构图匀称，手法精巧。楠木镂雕的云龙图案落地罩和隔扇裙板上的蟠龙图案，相传是太平天国忠王府内的遗物。

在“卅六鸳鸯馆”北面池塘里可以清楚地看到一幢楼阁的倒影，这幢楼阁便是“倒影楼”。楼阁下层“拜文揖沈之斋”，就是“文征明先生和沈周先生纪念馆”。沈周是文征明的老师，后人将沈周、文征明、唐寅、仇英四位画家合称“明四家”。到影楼中间屏门上雕刻着扬州八怪之一的郑板桥的无根竹图，并配有诗词。

隔岸池边有一座小轩，像一把打开的折扇，俗称扇亭，取名“与谁同坐轩”，取义于苏东坡的词句：与谁同坐?明月清风我。扇面状屋面和扇亭与后山屋面恰似扇把的“笠亭”构成了一把完整的折扇。

各位游客：拙政园的主要景观就游赏到此。让我们在以拙政园为代表的苏州园林，在“咫尺山林”再现大自然的湖光山色中，在那富有诗情画意的、可望、可行、可游、可居的小园林里，享受一份温馨的家庭气氛吧。

拙政园英语导游词 篇10

尊敬的游客，今天我们来到的是苏州古典园林之一--拙政园。拙政园有着非常悠久的历史。占地78亩，全园分东、中、西三部分，始建于明代正德四年。相传王献臣以晋代潘岳自比，潘岳的《闲居赋》中有这样一段文字："庶浮云之志，筑室种树，逍遥自得。池沼足以渔钓，春税足以代耕。灌园粥蔬，以供朝夕之膳;牧羊酤酪，以俟伏腊之费。孝乎惟孝，友于兄弟，此亦拙者之为政也。"王献臣取其中"拙政"二字为园名，借以发泄胸中之郁愤。这样美丽的环境，请游客们注意卫生、保持清洁。

游客们，我们现在来到的是十景塘，相信大家已经看到了，满池荷花齐开放，非常的美丽，稍后大家可以在这里拍照留念。这些荷花有的还是花苞，圆鼓鼓的，有些荷花已经长出了小莲蓬，还有的是新长出的嫩芽。请大家爱护这些荷花，不要向水塘里抛垃圾。

游客们，我们现在来到的是伊人园。伊人园里有许多奇花异草，还有各种形状怪异的石头。这里的花五颜六色，真可以称得上是人间仙境啊!大家可以站在这块石头上拍照，可以拍到全景。

游客们，现在我们来到的是拙政园中唯一的一座廊桥--小飞虹。朱红色的廊桥倒映在水中，水波粼粼，宛若飞虹。虹，是雨过天晴后横跨大地的一架绚丽的彩桥，古人以虹喻桥，用意绝妙。它不仅是连接水面和陆地的通道，而且构成了以桥为中心的独特景观，是一座精美的廊桥。

好了，游客们，今天我的导游任务到此结束，下面给大家一个小时的时间，大家可以在拙政园中拍照留念、细细游赏。祝大家玩得尽兴。

拙政园英语导游词 篇11

拙政园是我国"四大名园"之一。1961年3月4日国务院颁布的第一批全国重点文物保护单位名单中，属于园林方面的有四处：拙政园、颐和园、避暑山庄、留园。其中两处在北方，是我国皇家园林的代表作品;两处在苏州，是我国私家园林的代表作品。

拙政园之所以有这么高的知名度，其中主要有两个原因。一个原因是，拙政园是我国民族文化遗产中的瑰宝，是江南古典园林中的佳作，其布局设计、建筑造型、书画雕塑、花木园艺等方面都有独到之处，被誉为"天下园林之母"。另一个原因是，拙政园曾为许多在历史舞台上叱咤风云的人物提供了活动场所。其中，有江南文豪钱牧斋和爱妾柳如是;有明末御史、刑部侍郎王心一;有清初海宁籍弘文院大学士、礼部尚书陈之遴;有平西王吴三桂的女儿、女婿;有太平天国忠王李秀成;有江苏巡抚李鸿章和张之万。辛亥革命后江苏都督程德全通告全省，在园内召开江苏临时省议会;抗战胜利后，爱国诗人柳亚子在园内办过"社会教育学院"。相传，康熙年间，《红楼梦》作者曹雪芹的祖父曹寅担任苏州织造，织造衙门设在葑门，而家眷住在拙政园内。曹寅升迁江宁织造时，推荐内弟李煦接替，家眷住在园内达二三十年之久。

现在，我们可以看到，在高高的清水砖砌墙门的正门上方有砖雕贴金的门额"拙政园"三个字。拙政园始建于明代正德四年(15XX年)。御史王献臣(字敬止，号槐雨)因官场失意而还乡，以大弘寺址拓建为园，园内亭台楼阁，小桥流水，古木参天。拙政园的园名是据西晋潘岳的《闲居赋》中"此亦拙者之为政也"之句缩写而成的。根据苏州市园林管理局提供的资料，王献臣于明代弘治六年(1493年)中进士，升为御史，但仕途不顺利，曾两次被东厂缉事诬陷，动过刑，下过狱，被贬为广东驿丞，后任永嘉知县，罢官后居家，心里的痛楚无法言表。他对文征明讲："昔潘岳氏仕宦不达，故筑室种树，灌国鬻蔬，曰：’此亦拙者之为政也’。……吾仅以一郡倘倅退林下，其为政殆有拙于岳者，园所以识也。"意思是说，我之所以要起"拙政园"这个名字，就是要像潘岳一样隐退于林泉之下，要像陶渊明一样守拙归田园。这个园名，反映了王献臣当时那种既无可奈何，又想自我解嘲的复杂心态。

经过拙政园的墙门和"通幽""入胜" 腰门，我们就来到了拙政园的东部。东部花园的南部有一座三开间的堂屋，名为"兰雪堂"。"兰雪"两字出自李白"春风洒兰雪"之句，象征着主人潇洒如春风，洁净如兰雪的高尚情操。中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园为三个部分：东部，曾取名为"归田园居"，以田园风光为主;中部，也称为"复园"，以池岛假山取胜，是拙政园的精华所在;西部，也称为"补园"，园内建筑物大都建成于清代，其建筑风格明显有别于东部和中部。从图上看，拙政园没有明显的中轴线，没有传统的对称格局，大都是因地制宜，错落有致，疏朗开阔，近乎自然，是苏州诸多园林中布局最为成功的范例。

走出"兰雪堂"，迎面看到一座假山，青翠的竹丛和古树，簇拥着一座巨大的石峰，状如云朵，岿然兀立，西侧有两块形状怪异的湖石，两石中间夹着一条羊肠小道。中间这座石峰叫做"缀云峰"，像一个巨大的屏风，挡住来宾们的视线，这种"开门见山"的造园手法，被称作为"障景"，起着引人入胜的作用。许多人来到这里，都有一种"似曾相识"的感觉。这是因为许多来宾都看过中国古典文学巨着《红楼梦》，书中描写的大观园进门处的假山，同这座假山极为相似。《红楼梦》第十七回《大观园试才题对额，荣国府归省庆元宵》中有这样一段故事：贾政父子进大观园题景，开门进去，只见一带翠幢挡在面前。众清客都道："好山，好山! "贾政道："非此一山，一进来园中所有之景悉入目中，更有何趣?"……往前一望，见白石崚嶒，或如鬼怪，或似猛兽，纵横拱立。上面苔藓斑驳，或藤萝掩映，其中微露羊肠小径。这段描写，用在这里非常贴切，可能是偶然的巧合。然而，两园类似的情况还有许多。

过了假山，来宾们看到的是拙政园的东部主要景色。明代崇祯年间，刑部侍郎王心一买下东部后，建造"归田园居"。园内有山岛、荷池、松冈、竹坞，好一派田园风光。这一部分的主要建筑物，除了"兰雪堂"外，还有"秫香馆"、"天泉阁"、"芙蓉榭"等。

" 芙蓉榭"，就是建筑在荷花池边上的水榭。榭，是苏州园林建筑中的一种类型，造型轻巧，建在水边或高坡上，下面架空或半架空。芙蓉，有木芙蓉和水芙蓉。木芙蓉是一种变色花，早晨朝霞初现时是淡红色，中午阳光直射时变成紫红色，傍晚夕阳西下时又变成粉红色，甚为珍贵。水芙蓉，是指荷花或莲花。毛泽东主席诗词中 "芙蓉国里尽朝晖"，指的是水芙蓉。"芙蓉榭"的正面一池荷花，背后是一堵高墙，一边开阔、一边封闭的强烈反差，恰如其分地烘托了宁静的气氛。加拿大温哥华"逸园"中的水榭，就参照了这个设计，前面是一泓池水，后面是一堵高墙，很有苏州古典园林的味道。如果您走到芙蓉榭的门前向西面看，可以见到这个水榭进门的门框上装了一个雕花的圆光罩，透过这个圆光罩可以看到前面的小桥流水，犹如一幅镶嵌在圆形镜框里的油画。如果您走过去再看看仔细，又可以发现这个水榭临水的门框上装了一个雕花的长方形落地罩，前面的河水曲折婉蜒，两岸桃红柳绿，把人引入了一种宁静安谧、淳朴自然的境界中去。这是苏州园林中一种比较常见的造景手法，叫做"框景"。园主想通过这种手法，把来宾们的视线集中到最佳角度，以达到令人满意的效果。

" 天泉阁"，矗立在一片翠绿的草坪上，攒尖戗角，重檐八面，在蓝天白云下显得格外醒目。相传，这里原来是元代大弘寺的遗址。筑园时，在寺井上造了"天泉阁 "。这座建筑物，从外面看似乎是两层，在里边看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在"天泉阁"的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。

"秫香馆"，顾名思义，就是观赏稻麦飘香的地方。明代"归田园居"的主人在园林内造有秫香楼，"楼可四望，每当夏秋之交，家田种秫，皆在望中。"现在见到的"秫香馆"，其主体建筑是60年代重修拙政园时从东山搬迁而来，体型偏大，与原景略有不同。

值得一提的是，西南角樟树旁，有一处池岛假山小品。这座湖石假山上顶着一块大石头，外形很像一只翻底待修的小木船。前面湖面开阔，四周灌木丛生，不远处有几株芦苇，正像太湖边上一个小小的港湾。古代苏州园林的园主，有的是朝廷大臣，有的是封疆大吏，有的是外放州县，也曾经"安邦济世"，劳碌了一阵子，因为种种原因卸任还乡，在远离京都的苏州，他们找到了安静的"港湾"。这里风俗清雅，物产丰富，既可以享尽清福，又可以避开政敌，成了达官贵人隐退后选择的最佳地点。正是由于这个原因，他们对佛教的"空无学说"、道教的"出世思想"、儒家的"隐逸主张"特别欣赏，就以"避世、淡泊"为主题，营造山林野趣，想在独立的小天地里实现自己的人格理想。正所谓，"扁舟一叶，浪迹天涯，人迹罕至，方为我家"。

拙政园东部和中部，是用一条长长的复廊隔开的。走廊的墙壁上开有25个漏窗，就像精雕细作的剪纸图案，镶嵌在长长的画轴上面。人们信步走在游廊里，随着漏窗花纹的更换，园内的景色也在不断地变幻。这种现象，称作"移步换景"。如果您再仔细看一看，漏窗上不同的图案，所表现的都是水波纹和冰棱纹，池中欢快的涟漪叠印在窗上凝固的波纹上，更加渲染了苏州水文化的氛围。 当我们打开复廊里的黑漆大门，就来到了中部花园。来宾们站在倚虹轩旁，向西眺望时，大家的第一印象应该是，这里池面宽广，景色秀丽。细心的朋友们还可以发现，在亭台楼阁之旁，在小桥流水之上，在古树花木之间，屹立着一座宝塔，给人以一种"庭院深深深几许"的感觉。这一借景手法，运用得很成功，园主确实是费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，于是园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。每一个建筑物都是一个极佳的观景点，而每一个建筑物也都是景点的重要组成部分。

拙政园的中部花园大致可以分为三个景区。来宾们通过游览三个各具特色的景区，游兴可逐步达到高潮。 第一个景区，以池岛假山为主，包括假山山堍的"梧竹的居"，假山山顶的"待霜"亭和"雪香云蔚"等景点。池岛假山，也称为水陆假山，是中部的主体假山。这 "一池三岛"基本上是苏州假山的传统格局，其要领是："池岸曲折，水绕山转"。这座假山设计极佳，确实是"大手笔"，完全符合我国山水画的传统技法。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山。用绘画术语来讲，分别是"深远山水""平远山水""高远山水"，表达的是宋代苏东坡诗中"横看成岭侧成峰，远近高低各不同"的意境。

下面，我们先来观赏 "梧竹幽居"。"梧竹幽居"，俗称"月到风来亭"，位于中部花园的最东面，同"倚虹亭"相邻。"倚虹亭"是因为靠在形似长虹的复廊上而得名。"梧竹幽居" 造型非常别致，四个大大的圆洞门使人马上联想起八月十五晚上的月亮。如果您站在亭子里向外看，这四个圆洞门又恰似四个巨大的镜框，镶嵌着苏州园林一年四季的风光。南面桃红柳绿，西面嫩荷吐尖，北面梧桐秋雨，东面梅花怒放。亭内有"梧竹幽居"的楹额。梧桐，是圣洁高昂的树;翠竹，是刚柔忠义之物。正所谓：" 家有梧桐树，何愁凤不至。"两旁有一副对联："爽借清风明借月，动观流水静观山。"慢慢品味，细细咀嚼，眼前似乎出现了两幅山水图画：一幅是皓月当空，夜色朦胧，清风徐来，沁人肺腑;另一幅是阳光明媚，鸟语花香，心动水动，心静山静。用心琢磨一下园主此时此刻的心境，大概同张大千讲的"心似闲蛩无一事，细看贝叶立多时"，有着异曲同工之妙。如果有的来宾读过孔子《论语》，看了这副对联，可能有另外一种心得。孔子讲："智者乐水，仁者乐山。智者动，仁者静。知者乐，仁者寿。"那么，是否可以讲，这副对联的上联是用清风明月来描绘自然风光的无限美好，下联是用乐山乐水来揭示旅游观光对陶冶情操的作用。只有到了这个时候，来宾们才会逐步领悟到苏州古典园林既要模拟自然山水之美景，以达到"悦耳悦目"的艺术效果，更重要的是要创造诗情画意的韵味，以追求"悦心悦意 "的心理感觉，再升华到"悦志悦神"的精神享受。如果您作会到了这种韵味，那么您就开始入门了。

当我们跨过九曲石板桥，沿着弯弯曲曲的山间小道缓步登山时，迎面见到的是"待霜"亭。"待霜"出自唐代苏州刺史韦应物"书后欲题三百颗，洞庭须待满林霜"的诗句，字里行间透出了一股霜浓橘红的山野气息和泥土芳香。 我们穿过丛林，越过小溪，步上石阶，就来到了"雪香云蔚亭"。它位于岛的中央制高点。在这里向周围了望，觉得中部花园像一幅苍劲古朴画卷，展现在我们的面前。在这幅画轴上，有高有低，有近有远，有大有小，有宽有窄，有疏有密，有闹有静。"雪香云蔚亭"还有"山花野鸟之间"的楹额和"蝉噪林愈静;鸟鸣山更幽 "的对联。如果坐在这里歇歇脚，看看景，静静心，真有点超尘脱凡的感觉，自己的身心已经同大自然完全融合起来了。《小城故事》歌词中有一句"看似一幅画，听像一首歌"，用在苏州拙政园里真是恰如其分。是否可以说，"山花野鸟之间"是对苏州古典园林的"天人合一""顺应自然"的哲学思想和"咫尺山林""小中见大"的审美观念，最通俗、最绝妙的注解。

当来宾们在第一景区游览，游兴到达高潮时，园主又及时将我们的注意力转向了另一个角度，从山上移到了池塘。这就是中部花园的第二个景区。第二个景区是以荷花池水为中心，围绕水面有" 荷风四面""香洲""见山楼""小飞虹""小沧浪""倚玉轩""远香堂"等景点。

湖中岛上有"荷风四面亭"，这里四面环水，三面植柳，真是绝佳的风景点。"荷风四面亭"上挂有一副对联："四壁荷花三面柳，半潭秋水一房山"。廖廖几笔，勾画出了拙政园春夏秋冬的风景特色。其妙处还有，联中蕴含着一、二、三、四的序数。这副对联的上联，仿照济南大明湖"小沧浪"清代书法家铁保所书的楹联： "四面荷花三面柳，一城山色半城湖"。这副对联的下联，仿照唐代诗人李洞的诗句"看待诗人无别物，半潭秋水一房山"。内容略作改动，用在这里，恰到好处。

"香洲"同"荷风四面亭"隔水相望。"香洲"的"洲"同"舟"同音，实际上是一座船型建筑物，可称为石舫或旱船，似乎是一只官船在荷花丛里徐徐而行。值得一提的是，"香洲"这艘石舫，集中了亭、台、楼、阁、榭五种建筑种类。船头为荷花台，茶室为四方亭，船舱为面水榭，船楼为澄观楼，船尾为野航阁。实际上，在苏州诸多园林中，几乎都建有石舫。从地理原因来讲，苏州是典型的江南水乡，古代大都以舟代步，家家临河，处处通船，在花园里建石舫以应景。从建筑角度来讲苏州园林建筑的种类有亭台楼阁，厅堂馆斋，轩榭廊桥，再加上舫，可以使建筑物形状多样，多姿多彩。再从政治角度来讲，石舫可以经常提醒人们"水可载舟，亦可覆舟"的道理。园主想借此表白自己"处江湖之远，则忧其君"的心迹。

经过九曲石桥，沿着游廊走，就来到了"见山楼"，古代叫做"藕香榭"。"见山楼"三面环水，似乎苍龙嬉水。"见山楼"是龙头，爬山廊是龙身，云墙是龙尾，门洞是龙嘴，曲桥是龙须。"见山楼"上层有蠡壳和合窗，楼下用落地长窗，室内明式桌椅茶几，梁上悬挂小方什景灯，完整地保留着那种古色古香的风貌。

从"见山楼"沿着游廊往南走，可以来到"小沧浪"。"见山楼"位于第二景区的北部，是主景区，视野开阔，"疏可走马"。而"小沧浪"、"小飞虹"、"得真亭"这一带是第二景区的南部，是次景区，空间窄小，"密不透风"。"小沧浪"的出典是《楚辞.渔父》，原话是"沧浪之水清兮，可以濯我缨;沧浪之水浊兮，可以濯我足"。用现代的语言来解释，就是倘若朝廷清明，我就洗洗帽缨，准备出仕辅助朝纲;倘若朝廷昏庸，我就洗洗双脚，决心隐退逍遥自在。"小沧浪"是一座三开间的水阁，南窗北槛，两面临水，跨水而居，构成一个闲静的水院。站在"小沧浪"前往北看，廊桥"小飞虹"倒映在水里，水波荡漾，犹如彩虹。这里是观赏水景的最佳去处。只见藕香榭前各路水源汇聚一池，似乎"浩浩汤汤，横无际涯"。到了香洲前，突然分流回去，其中一条支流弯弯曲曲，扑面而来，经过"小飞虹"，过"小沧浪"，有一种余味未尽的感觉。这样的理水手法，符合苏州古典园林关于"水面有聚有散，聚处以辽阔见长，散处以曲折取胜"的要领，可称一绝。

从"小沧浪"往东走，就来到了"远香堂"。欣赏"远香堂"，可以使来宾们的游兴达到游览这一景区的最高潮。"远香堂"，位于中部花园的中心位置，前面有一条小河种有莲花，后面有一片水池，广植荷花。夏天荷花盛开，清香一阵阵飘到堂内，所以取宋代周敦颐《爱莲说》一文中"香远益清"之句成了堂名。"远香堂"四面都镶有玻璃窗，可以坐在厅里一边品茶，一边聊天，一边看景。厅的南边是一座峻峭的黄石假山，北边是池岛假山，东边山坡上有"绣绮亭"，西边池塘边有"倚玉轩"，给人以近山远水，山高水低的感觉。"远香堂"的楹额，早先是乾隆年间着名学者沈德潜的手笔，因已佚失，由近代书法家张辛稼补写。两边有一副对联，共有80字，是苏州诸多园林中最长的对联，记载了当年八旗奉直会馆达官贵人聚会时的盛况。苏州古典园林建筑物，十分重视意境的设计，往往在园中的主要景点上，配以古诗古文中的词句，用大量的匾额楹联来点缀。这些匾额楹联，立意深远，意境含蓄，情调高雅，文字隽永，书法美妙，既记述了名园的历史，又点明了景点的精华，还抒发了园主的情怀。

拙政园中部花园的第三个景区是"枇杷园"。"枇杷园"位于"远香堂"的东南面，是拙政园中部花园里的园中园，因种有枇杷树而得名。"枇杷园"的园门设计得很巧妙。来宾们走到这里，见到前面一道云墙，两面种有牡丹，正所谓"山穷水尽疑无路"了。真没有料到，只要再往前走，就可以发现，黄石堆砌的假山遮住了旁边的一个门洞。随着人们一步一步走近，门洞就一点点扩大。到了门口，才发现门洞像一轮明月，镶嵌在白色的云墙上。过门洞后再往前走，这轮明月又被这边的湖石假山慢慢地遮住了。看着月洞门和牡丹花，不禁使人想到"闭月羞花"的典故。这个月洞门又像一个巨大的宝镜，庭院里的景物似乎是院外景物的影子。园主巧妙地选择了辟月洞门最佳位置，使"雪香云蔚亭""月洞门""嘉实亭"三点同处在一条视线上，并通过月洞门联系前后佳景，从而组成一组对景。由此可见，苏州古典园林在辟门开窗时，除考虑到出入和采光外，尤其注意撷取画面，力求处处有景，景随步移。

第三个景区是以庭院建筑为主，有"玲珑馆""嘉实亭""听雨轩"和"海棠春坞"等。这些建筑物又把空间分割为三个小院。这种造景手法，称为"隔景"，以便丰富园景，掩藏新景。三个小院，既隔又连，互相穿插，在空间处理和景物设置方面富有变化。每个庭院的天井，用肉眼看大小一般，但用脚步量一下却发现相差甚大。原来"玲珑馆"前的云墙造得较矮，视野开阔就显得大。"海棠春坞"尺寸比较小，但开了几个漏窗，使天井显得比较宽敞。"听雨轩"前的天井面积比较大，就开了一个小池塘，使天井大小适宜，园景丰富。当年，园主喜欢同家眷在这里，一边品尝苏州的船点，一边细听那雨滴打在瓦楞片上、芭蕉叶上、碎石地上，发出 "滴滴答答""淅淅沥沥""劈里啪啦"的声音，陶醉在大自然的音乐创作之中。这里似乎是中部花园交响乐的第三乐章。第一乐章，可称为"高山之颠";第二乐章，可称之为"沧海之滨";第三乐章，可称之为"天伦之乐"。"嘉实亭"里有一副对联"春秋多佳日;山水有清音"，用在这里，惟妙惟肖。

当来宾们从中部花园，穿过"别有洞天"的圆洞门后，就来到了西部花园。西部花园的主体建筑是"卅六鸳鸯馆"和"十八曼陀罗花馆"。这座建筑物是美化了的" 鸳鸯厅"结构;外面看是一个屋顶，里边是四个屋面;外面看是一个大厅，里边分为两个客厅;北面客厅是夏天纳凉用的，南面客厅是冬天取暖用的。进门时，圆洞门上方有四个砖雕的篆体字"得少佳趣"。意思是说，进得门来，才能渐入佳境，稍得乐趣。这个大厅建于清代，精雕细刻，摆设考究，气派非凡。北厅的楹额"卅六鸳鸯馆"是清代状元洪钧墨宝，南厅的楹额"十八曼陀罗花馆"，是清代状元陆润庠佳作。馆，是宾客聚会的地方，宽敞而幽静，四通而八达。鸳鸯是美满姻缘的代名词，曼陀罗花是延年益寿的吉祥物。据印光法师编撰的《阿弥陀经注释》中介绍，西方极乐世界每天都普降曼陀罗花。当今世上，只有多福多寿的人才能见到。传说，曼陀罗花与山茶花相似，所以，这里种十八棵宝株山茶应景。这个大厅造型别致，椽子为弓形和弧形，四角有耳房，相传是园主听昆曲的地方。史书记载，补园主人张履谦特别喜欢昆曲，经常同"曲圣"俞粟庐先生在这里切磋曲艺，每当清唱演出进入高潮时，总有一种"余音绕梁，三日不绝"的感觉。四角的耳房，是供演员换妆，佣人居住的地方。这里的蓝白相间的玻璃窗很雅致，每当盛夏烈日时，阳光透过窗户变成一道道蓝白相间的光束，洒在地上，泛起一阵阵寒意。如果来宾们有兴趣的话，可以用眼睛靠近蓝色的玻璃窗往外看，只见屋顶上、树枝上、石块上、荷叶上，都像是披上了一层白雪。

" 留听阁"位于"卅六鸳鸯馆"的西面，楹额由清代湖南巡抚吴大澄所书。"留听阁"出自唐代李商隐的"秋阴不散霜飞晚，留得残荷听雨声"之句。"留听阁"南面飞罩是银杏木立体雕刻松、竹、海、雀的花纹，构图匀称，手法精巧。隔扇裙板上刻有蟠螭(夔龙)图案，据说是太平天国忠王府内的遗物，>有较高的艺术价值和历史价值。

"倒影楼"位于"卅六鸳鸯馆"的北面。之所以取名为"倒影楼 "，是因为从前面的池塘里可以清楚地看到这幢楼阁的倒影。楼的下层，叫"拜文揖沈之斋"。用时髦的话来讲，就是"文征明先生和沈石田先生纪念馆"。文征明是明代"四大才子"之一。有的资料说，他参与了拙政园的规划设计。也有的资料说，他依照园景画了31幅图，各配以诗词，并作了《王氏拙政园记》，使名园增辉。沈石田先生曾经是文征明先生绘画方面的指导老师。他们对苏州文化艺术的发展作出过重大贡献。"倒影楼"中间屏门上雕刻有扬州八怪之一郑板桥的无根竹图，并配有诗词，也是不可多得的珍贵文物。

"倒影楼"前面有一条曲折婉蜒的水廊，地面贴着池面。池面上波光粼粼，地面上高低起伏，使人感到正踩在池面上随水飘浮。水廊的西面有一组楼阁群，最近的是"与谁同坐轩"。轩，是形似车厢的建筑物，两头有门框而不上门，随意进出;两旁墙上开有窗口，以便观景。"与谁同坐?明月、清风、我。"这是苏东坡的诗句，表达了诗人孤芳自赏的心情。园主借此表示自己的清高。仔细再看，"与谁同坐轩"，好像一把扇子，轩顶的瓦面像折扇的扇面，后面"笠亭"的尖顶恰似折扇的扇把，简直连接得天衣无缝。

以拙政园为代表的苏州园林，处处是充满着诗情画意的青山绿水，时时是洋溢着温情脉脉的家庭气氛，全园体现了淡泊明志的人生哲理，正是古人们苦苦追求的"人间天堂"。

拙政园英语导游词 篇12

拙政园在江苏苏州市娄门内。是苏州四大古名园之一。初为唐代诗人陆龟蒙的住宅，元时为大宏寺。明正德年同御史王献臣辞职回乡，买下寺产，改建成宅园，并借用晋代潘岳《嗣居赋》中：“……，此亦拙者之力政也”的语意，取“拙政”二字为园名。1860～1863年曾为太平天国忠王府的一部分。1954年对外开放。 拙政园又分东园、中园、西园三部分。

东园山池相间，点缀有秫香馆、兰雪堂等建筑。西部水面迂回，布局紧凑，依山傍水建以亭阁，其中主体建筑鸳鸯厅是当时园主人宴请宾客和听曲的场所，厅内陈设考究。晴天由室内透过蓝色玻璃窗观看室外景色犹如一片雪景。园中“与谁同坐轩”乃为扇亭，扇面两侧实墙上开着两个扇形空窗，一个对着“鸳鸯厅”，而后面面山的那一窗中又正好映 入山上的笠亭，而笠亭的顶盖又恰好配成一个完整的扇子。“与谁同坐，明月、清风、我”，所以一见匾额，就会想起苏东坡，并立时感到这里可赏水中之月，可受清风之爽。

中园是拙政园的精华部分，其总体布局以水池为中心，亭台楼榭皆临水而建，有的亭榭则直出水中，具有江南水乡的特色。主体建筑远香堂位于水池南岸，隔池与主景东西两山岛相望，池水清澈广阔，遍植荷花，山岛上林荫匝地，水岸藤萝纷披，两山溪谷 间架有小桥，山岛上各建一亭，西为雪香云蔚亭，东为待霜亭，四季景色因时而异。远香堂之西的“倚玉轩”与其西面船舫形的“香洲”遥遥相对，两者与其北面的 “荷风四面亭”成三足鼎立之势，都可随势赏荷。倚玉轩之西有一曲水湾深入南部居宅，这里有三间水阁“小沧浪”，它以北面的廊桥“小飞虹”分隔空间，构成一个幽静的水院，而香洲即位于这一水湾口之两侧。拙政园中园的布局以荷花池为中心，远香堂为其主体建筑，池中两岛为其主景，其他建筑大都临水并面 向远香堂，从建筑物名称来看， 也大都与荷花有关。

王献臣之所以要如此大力宣扬荷花，主要是为了表达他孤高不群的清高品格。此园以水为主，水面的占五分之三，建筑群多临水，保持了明代清逸古朴的造园风格，是我国江南园林的代表作品。1997年12月4日列入"世界遗产名录"。

拙政园英语导游词 篇13

大家好，欢迎来到苏州，我叫华瀚韬，大家叫我小华或华导游，苏州有许多园林，其中拙政园是我国“四大名园”之一，也是江南古典园林中的佳作，今天，我先带你们游览拙政园，大约要两个小时左右。

拙政园是我国私家园林代表作品，在1961年3月4日由国务院颁布的第一批全国重点文物保护单位名单中，它是我国民族文化遗产中的瑰宝，被誉为“天下园林之母”。

现在，我们已经来到了拙政园的正门，大家可以看到正门上方有“拙政园”三个大字，拙政园始建于明代正德四年，御史王献臣因官场失意而返乡，以大弘寺原址拓建为园，园内亭台楼阁，小桥流水，古木参天。拙政园的园名是由《闲居赋》中的“此亦拙者之为政也”一句缩写而成的。

我们现在所看到的一座三开门的堂屋就是兰雪堂。“兰雪”两字出自李白“春风洒兰雪”这句，象征着主人潇洒如春风，洁净如兰雪的高尚情操。中间屏门上有一幅漆雕画，是拙政园的全景图。

下面，我们去游览“梧竹幽居”，它位于花园的最东面，俗称“月到风来亭”，它的造型非常别致，四个大大的圆洞门使我们联想起了八月十五晚上的月亮。如果你们站在亭子里往外看，这四个圆洞门又恰似四个巨大的镜框。

这就是闻名天下的苏州拙政园，欢迎大家以后再来苏州游玩，再见。

拙政园英语导游词 篇14

欢迎大家来拙政园参观。

拙政园和我市的留园、北京的颐和园、承德的避暑山庄合称为我国的“四大名园”。后两个属北方皇家园林，规模宏大，装饰繁复，金碧辉煌，充满满清的审美趣味;而我们苏州的两个花园是典型的南方文人写意园，宅园紧凑小巧，素朴精雅，是文人现实生活中的桃花源。

拙政园是中国古代造园艺术的集大成者。风格疏朗，创造的山水亲和喜人，蕴含着丰富多彩的人生哲学，是中国最典型的明代园林作品。同时，在中部花园山水处理上的伟大成就，“一池三岛”的格局成为了后世园林创作的范本。被世人誉为“中国园林之母”。

拙政园也是苏州最大的私家花园，占地5公顷。它的创意构思由当时最著名的画家之一、“明四家”中的文征明先生执笔而成。拙政园始建于1509年，从画到园，前后历时16年。历史上几经兴废，园主几经变更，其中包括太平天国忠王李秀成。相传中国最著名的古典小说《红楼梦》的作者曹雪芹先生曾经住在这里，所以有关大观园的许多描写都与拙政园的园景相吻合。

第一任园主王献臣是明朝的监察使，相当于现在的检察官，监督地方官员的吏政情况，职位显赫;官场失意后还乡，在苏州城内东北角置地建屋，就是现在的“拙政园”。名字源于晋代潘岳的文章，“灌园鬻蔬”，“此亦拙者之为政也”。自嘲地说，自己才学浅薄不能得到皇帝的赏识而行治国平天下的壮志，只配回家作一农夫，从此不理朝政，享受隐退林泉的雅兴。就象这座“兰雪堂”的名字，取自诗句“清风洒兰雪”，表达主人洁白自持、潇洒大方的志趣。

在这幅漆雕屏风上我们可以清楚地看到拙政园由两条游廊分成三部分：东部以田园风光为主，明代王心一买下后取名为“归田园居”。曾经遭到严重的破坏，保留的建筑很少。如今在这一部分我们可以看到很多高大的珍贵树种和典型的古典建筑。中部是全园的精华所在，又称“复园”，完好地保留了明代简雅而铺张、敦厚而轻灵的风格，在布局设计、建筑造型、书画雕塑、花木园艺上有很高的艺术造诣。西部是清代主人张履谦重修的，称“补园”，色彩上有了蓝色的装点，风格上带有明显的清代时尚特征。

同时，我们从这幅漆雕画上可以看到，园中绝大部分的建筑都与水相邻，面对水面或者挑起凌空于水面之上，它们的名字也都得灵感于流动着连接着园中各处的水，把江南水乡特有的风致描摹得精彩绝伦。特别是水中遍植的荷花，或拥翠堆绿，或红白点缀，或枯枝待雨，古人赋予它的“出污泥而不染”的高尚情操和园主青睐于它的“香远益清”，这些催发诗人清愁的物事在这里都因园景需要各有表现。如今，拙政园一年一度的“荷花节”，不但集及了百余种荷花品种，还精心使千年古莲子发芽，并培育出碗莲等珍贵的观赏品种，赢得了游客啧啧称赞。

【出兰雪堂西门，在缀云峰前】

一来到花园里，园主给我们观赏的竟然是一块巨大的湖石，遮挡了园中秀丽的景色，反而更激起我们游园的兴趣。进门见山这种处理方法，在造园手法上，称作“抑景”。既是屏障，相当于园门入口处屏风的功能;又因自身的美感淡化了它本身的实用功能而成为一景。就好象“犹抱琵琶半遮面”一样，遮遮挡挡的，却使欣赏者更想见识“庐山真面目”了。含蓄而委婉的表达艺术是蕴藉在我们东方人血液中的，也正是所谓的“东方魅力”吧。在拙政园的任何一点看花园，你都看不到它的全部，以围墙、游廊、树木等把整个花园分割并连接成一个个相对独立的部分，园中有园，园外还有园，别有洞天。一个个障景，象眼前的“缀云峰”，闭合、展开的过程谱写了游园的节奏之美。而园中道路曲折起伏，连石桥都是一波三折，使我们观园的视角时刻发生变化，园林景色在光影变化中精彩纷呈，达到“移步换景”的审美感觉，如同展开一幅描绘主人心迹的山水古画。在这点上，拙政园由画而园、游园成画的特色是中国画和苏州古典园林相互结合、相互影响最好的例证了。

中西方文化截然不同，以凡尔赛宫为代表的西方花园是古典主义时期笛卡儿理论的实践。它的开阔与部分功能和我们先秦的宫苑有相似之处。走出宫殿，整个花园一览无遗，可以一直望到尽头的阿波罗池塘，好象和西方人的直率不谋而合。在中轴线大道两旁，苗圃以各种几何形图案修剪排列着，工整有序，同时树木也修成锥形、柱形或圆形，用笛卡儿几何原理来塑造自然，来迎合当时朝廷讲究礼仪、寻求秩序的潮流。它产生的背景是路易十四希望迁都凡尔赛，重造王室的威望，所以成为园中最重要的“阿波罗”。也许因为其直也失去了很多“柳暗花明”的乐趣。

我们的拙政园和法国的凡尔赛花园都是一种文化的沉淀和时代的产物。尽管在形式上两者千差万别，但都是把人类的意志强加于大自然，按主人的趣味、文化加以修饰，只不过我们的花园更自然化，已经超越了第一次的抽象，把抽象再赋予具体的自然形式，进入返朴归真的新境界。同时我们还在建筑上创造了千变万化的建筑形式，优美的曲线与自然的曲折相映衬，使人类的活动一直在大自然的怀抱中。整饬山水而使野趣天成，这一理念同时极大地影响了十八世纪的欧洲造园事业，在德国、法国、英国、都出现了仿苏州式的花园的出现。

熟悉《红楼梦》的游客注意往左看，两座湖石站在路口象守护神一样，正好和书中描述的大观园门口的情况一致，一象猛兽，一象鬼怪。右面这鬼怪石，藤萝似散发，有耳有鼻，形神兼备。曹雪芹先生的祖父在苏州织造府为官多年，小时候居住园中，耳濡目染，把拙政园的胜景嫁接到他心目中的大观园也在情在理，秫香馆也成了稻香村，见山楼成了藕香榭等等，为我们的拙政园也添色不少。

拙政园英语导游词 篇15

拙政园在江苏苏州市娄门内。是苏州四大古名园之一。初为唐代诗人陆龟蒙的住宅，元时为大宏寺。明正德年同御史王献臣辞职回乡，买下寺产，改建成宅园，并借用晋代潘岳《嗣居赋》中：“此亦拙者之力政也”的语意，取“拙政”二字为园名。1860～1863年曾为太平天国忠王府的一部分。1954年对外开放。

拙政园又分东园、中园、西园三部分。

东园山池相间，点缀有秫香馆、兰雪堂等建筑。西部水面迂回，布局紧凑，依山傍水建以亭阁，其中主体建筑鸳鸯厅是当时园主人宴请宾客和听曲的场所，厅内陈设考究。晴天由室内透过蓝色玻璃窗观看室外景色犹如一片雪景。园中“与谁同坐轩”乃为扇亭，扇面两侧实墙上开着两个扇形空窗，一个对着“鸳鸯厅”，而后面面山的那一窗中又正好映入山上的笠亭，而笠亭的顶盖又恰好配成一个完整的扇子。“与谁同坐，明月、清风、我”，所以一见匾额，就会想起苏东坡，并立时感到这里可赏水中之月，可受清风之爽。

中园是拙政园的精华部分，其总体布局以水池为中心，亭台楼榭皆临水而建，有的亭榭则直出水中，具有江南水乡的特色。主体建筑远香堂位于水池南岸，隔池与主景东西两山岛相望，池水清澈广阔，遍植荷花，山岛上林荫匝地，水岸藤萝纷披，两山溪谷间架有小桥，山岛上各建一亭，西为雪香云蔚亭，东为待霜亭，四季景色因时而异。远香堂之西的“倚玉轩”与其西面船舫形的“香洲”遥遥相对，两者与其北面的“荷风四面亭”成三足鼎立之势，都可随势赏荷。倚玉轩之西有一曲水湾深入南部居宅，这里有三间水阁“小沧浪”，它以北面的廊桥“小飞虹”分隔空间，构成一个幽静的水院，而香洲即位于这一水湾口之两侧。

拙政园中园的布局以荷花池为中心，远香堂为其主体建筑，池中两岛为其主景，其他建筑大都临水并面向远香堂，从建筑物名称来看，也大都与荷花有关。王献臣之所以要如此大力宣扬荷花，主要是为了表达他孤高不群的清高品格。此园以水为主，水面的占五分之三，建筑群多临水，保持了明代清逸古朴的造园风格，是我国江南园林的代表作品。1997年12月4日列入"世界遗产名录"。

拙政园英语导游词 篇16

拙政园是我国"四大名园"之一。1961年3月4日国务院颁布的第一批全国重点文物保护单位名单中，属于园林方面的有四处：拙政园、颐和园、避暑山庄、留园。其中两处在北方，是我国皇家园林的代表作品;两处在苏州，是我国私家园林的代表作品。

拙政园之所以有这么高的知名度，其中主要有两个原因。一个原因是，拙政园是我国民族文化遗产中的瑰宝，是江南古典园林中的佳作，其布局设计、建筑造型、书画雕塑、花木园艺等方面都有独到之处，被誉为"天下园林之母"。另一个原因是，拙政园曾为许多在历史舞台上叱咤风云的人物提供了活动场所。其中，有江南文豪钱牧斋和爱妾柳如是;有明末御史、刑部侍郎王心一;有清初海宁籍弘文院大学士、礼部尚书陈之遴;有平西王吴三桂的女儿、女婿;有太平天国忠王李秀成;有江苏巡抚李鸿章和张之万。辛亥革命后江苏都督程德全通告全省，在园内召开江苏临时省议会;抗战胜利后，爱国诗人柳亚子在园内办过"社会教育学院"。相传，康熙年间，《红楼梦》作者曹雪芹的祖父曹寅担任苏州织造，织造衙门设在葑门，而家眷住在拙政园内。曹寅升迁江宁织造时，推荐内弟李煦接替，家眷住在园内达二三十年之久。

现在，我们可以看到，在高高的清水砖砌墙门的正门上方有砖雕贴金的门额"拙政园"三个字。拙政园始建于明代正德四年(1520xx年)。御史王献臣(字敬止，号槐雨)因官场失意而还乡，以大弘寺址拓建为园，园内亭台楼阁，小桥流水，古木参天。拙政园的园名是据西晋潘岳的《闲居赋》中"此亦拙者之为政也"之句缩写而成的。根据苏州市园林管理局提供的资料，王献臣于明代弘治六年(1493年)中进士，升为御史，但仕途不顺利，曾两次被东厂缉事诬陷，动过刑，下过狱，被贬为广东驿丞，后任永嘉知县，罢官后居家，心里的痛楚无法言表。他对文征明讲："昔潘岳氏仕宦不达，故筑室种树，灌国鬻蔬，曰：’此亦拙者之为政也’。……吾仅以一郡倘y退林下，其为政殆有拙于岳者，园所以识也。"意思是说，我之所以要起"拙政园"这个名字，就是要像潘岳一样隐退于林泉之下，要像陶渊明一样守拙归田园。这个园名，反映了王献臣当时那种既无可奈何，又想自我解嘲的复杂心态。

经过拙政园的墙门和"通幽""入胜" 腰门，我们就来到了拙政园的东部。东部花园的南部有一座三开间的堂屋，名为"兰雪堂"。"兰雪"两字出自李白"春风洒兰雪"之句，象征着主人潇洒如春风，洁净如兰雪的高尚情操。中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园为三个部分：东部，曾取名为"归田园居"，以田园风光为主;中部，也称为"复园"，以池岛假山取胜，是拙政园的精华所在;西部，也称为"补园"，园内建筑物大都建成于清代，其建筑风格明显有别于东部和中部。从图上看，拙政园没有明显的中轴线，没有传统的对称格局，大都是因地制宜，错落有致，疏朗开阔，近乎自然，是苏州诸多园林中布局最为成功的范例。

走出"兰雪堂"，迎面看到一座假山，青翠的竹丛和古树，簇拥着一座巨大的石峰，状如云朵，岿然兀立，西侧有两块形状怪异的湖石，两石中间夹着一条羊肠小道。中间这座石峰叫做"缀云峰"，像一个巨大的屏风，挡住来宾们的视线，这种"开门见山"的造园手法，被称作为"障景"，起着引人入胜的作用。许多人来到这里，都有一种"似曾相识"的感觉。这是因为许多来宾都看过中国古典文学巨著《红楼梦》，书中描写的大观园进门处的假山，同这座假山极为相似。《红楼梦》第十七回《大观园试才题对额，荣国府归省庆元宵》中有这样一段故事：贾政父子进大观园题景，开门进去，只见一带翠幢挡在面前。众清客都道："好山，好山! "贾政道："非此一山，一进来园中所有之景悉入目中，更有何趣?"……往前一望，见白石颍或如鬼怪，或似猛兽，纵横拱立。上面苔藓斑驳，或藤萝掩映，其中微露羊肠小径。这段描写，用在这里非常贴切，可能是偶然的巧合。然而，两园类似的情况还有许多。

过了假山，来宾们看到的是拙政园的东部主要景色。明代崇祯年间，刑部侍郎王心一买下东部后，建造"归田园居"。园内有山岛、荷池、松冈、竹坞，好一派田园风光。这一部分的主要建筑物，除了"兰雪堂"外，还有"秫香馆"、"天泉阁"、"芙蓉榭"等。

" 芙蓉榭"，就是建筑在荷花池边上的水榭。榭，是苏州园林建筑中的一种类型，造型轻巧，建在水边或高坡上，下面架空或半架空。芙蓉，有木芙蓉和水芙蓉。木芙蓉是一种变色花，早晨朝霞初现时是淡红色，中午阳光直射时变成紫红色，傍晚夕阳西下时又变成粉红色，甚为珍贵。水芙蓉，是指荷花或莲花。毛泽东主席诗词中 "芙蓉国里尽朝晖"，指的是水芙蓉。"芙蓉榭"的正面一池荷花，背后是一堵高墙，一边开阔、一边封闭的强烈反差，恰如其分地烘托了宁静的气氛。加拿大温哥华"逸园"中的水榭，就参照了这个设计，前面是一泓池水，后面是一堵高墙，很有苏州古典园林的味道。如果您走到芙蓉榭的门前向西面看，可以见到这个水榭进门的门框上装了一个雕花的圆光罩，透过这个圆光罩可以看到前面的小桥流水，犹如一幅镶嵌在圆形镜框里的油画。如果您走过去再看看仔细，又可以发现这个水榭临水的门框上装了一个雕花的长方形落地罩，前面的河水曲折婉蜒，两岸桃红柳绿，把人引入了一种宁静安谧、淳朴自然的境界中去。这是苏州园林中一种比较常见的造景手法，叫做"框景"。园主想通过这种手法，把来宾们的视线集中到最佳角度，以达到令人满意的效果。

" 天泉阁"，矗立在一片翠绿的草坪上，攒尖戗角，重檐八面，在蓝天白云下显得格外醒目。相传，这里原来是元代大弘寺的遗址。筑园时，在寺井上造了"天泉阁 "。这座建筑物，从外面看似乎是两层，在里边看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在"天泉阁"的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。

"秫香馆"，顾名思义，就是观赏稻麦飘香的地方。明代"归田园居"的主人在园林内造有秫香楼，"楼可四望，每当夏秋之交，家田种秫，皆在望中。"现在见到的"秫香馆"，其主体建筑是60年代重修拙政园时从东山搬迁而来，体型偏大，与原景略有不同。

值得一提的是，西南角樟树旁，有一处池岛假山小品。这座湖石假山上顶着一块大石头，外形很像一只翻底待修的小木船。前面湖面开阔，四周灌木丛生，不远处有几株芦苇，正像太湖边上一个小小的港湾。古代苏州园林的园主，有的是朝廷大臣，有的是封疆大吏，有的是外放州县，也曾经"安邦济世"，劳碌了一阵子，因为种种原因卸任还乡，在远离京都的苏州，他们找到了安静的"港湾"。这里风俗清雅，物产丰富，既可以享尽清福，又可以避开政敌，成了达官贵人隐退后选择的最佳地点。正是由于这个原因，他们对佛教的"空无学说"、道教的"出世思想"、儒家的"隐逸主张"特别欣赏，就以"避世、淡泊"为主题，营造山林野趣，想在独立的小天地里实现自己的人格理想。正所谓，"扁舟一叶，浪迹天涯，人迹罕至，方为我家"。

拙政园东部和中部，是用一条长长的复廊隔开的。走廊的墙壁上开有25个漏窗，就像精雕细作的剪纸图案，镶嵌在长长的画轴上面。人们信步走在游廊里，随着漏窗花纹的更换，园内的景色也在不断地变幻。这种现象，称作"移步换景"。如果您再仔细看一看，漏窗上不同的图案，所表现的都是水波纹和冰棱纹，池中欢快的涟漪叠印在窗上凝固的波纹上，更加渲染了苏州水文化的氛围。　 当我们打开复廊里的黑漆大门，就来到了中部花园。来宾们站在倚虹轩旁，向西眺望时，大家的第一印象应该是，这里池面宽广，景色秀丽。细心的朋友们还可以发现，在亭台楼阁之旁，在小桥流水之上，在古树花木之间，屹立着一座宝塔，给人以一种"庭院深深深几许"的感觉。这一借景手法，运用得很成功，园主确实是费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，于是园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。每一个建筑物都是一个极佳的观景点，而每一个建筑物也都是景点的重要组成部分。

拙政园的中部花园大致可以分为三个景区。来宾们通过游览三个各具特色的景区，游兴可逐步达到高潮。 　 第一个景区，以池岛假山为主，包括假山山堍的"梧竹的居"，假山山顶的"待霜"亭和"雪香云蔚"等景点。池岛假山，也称为水陆假山，是中部的主体假山。这 "一池三岛"基本上是苏州假山的传统格局，其要领是："池岸曲折，水绕山转"。这座假山设计极佳，确实是"大手笔"，完全符合我国山水画的传统技法。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山。用绘画术语来讲，分别是"深远山水""平远山水""高远山水"，表达的是宋代苏东坡诗中"横看成岭侧成峰，远近高低各不同"的意境。