英语毕业论文的提纲范文
论文提纲最起码要能清楚的显示您论文的研究内容以及研究思路。下面内容由小编为大家分享英语毕业论文的提纲范文,一起来看看吧!
Introduction
0.1 Salman Rushdie and Midnight's Children
0.2 Literature Review
0.3 Significance of the Thesis
Chapter One The Carnival Rhetoric in Midnight's Children
1.1 Carnival Language
1.1.1 Language of Heteroglossia
1.1.2 Linguistic Deviation
1.2 Carnival Rhetorical Devices
1.2.1 The Use of Metaphor
1.2.2 The Use of Satire
1.2.3 The Use of Pun
1.3 Sum-up
Chapter Two The Carnival Characters in Midnight's Children
2.1 Women's Carnivalesque Acts
2.1.1 Widow
2.1.2 Witch
2.1.3 Unfaithful Wives
2.2 Saleem's Carnivalesque Acts
2.2.1 Grotesque Appearance and Eccentric Behavior
2.2.2 Turning into Clown
2.2.3 Crowning and Uncrowning
2.3 Sum-up
Chapter Three Intertextual Dialogue in Midnight's Children
3.1 Intertextual Dialogue between History and the Text
3.1.1 National Allegory
3.1.2 Fictionalization of National History
3.2 Intertextual Dialogue between Pretexts and the Text
3.2.1 Borrowings from Western Culture
3.2.2 Borrowings from Indian Culture
3.3 Intertextual Dialogue within the Text
3.3.1 Palimpsest
3.3.2 Polyphony
3.4 Sum-up
Conclusion
This conclusion
Focusing on contemporary forms of narrative, Hutcheon argues that postmodernistfiction embodies several carnivalesque structures. Firstly, in its metafictional preoccupationsand its tendency to foreground the artifice of literary construction, contemporary narrativeenacts a carnivalesque rebellion against the official ideology of realism (Hutcheon, 1988:83-4)。 Secondly, contemporary fiction has succeeded in blurring the distinction between highand popular culture, incorporating “comic books, Hollywood movies, popular songs, andpornography” (Hutcheon, 1988: 87)。 Thirdly, there is a tendency for contemporary fiction todraw on sexual and erotic imagery, and thus to appeal to the material bodily principle of thecarnivalesque. For Hutcheon, Bakhtin's notion of the carnivalesque provides a potent meansof characterizing postmodern literary techniques. Bakhtin's carnival theory thus facilitates anappropriate lens through which readers can explore the political potential of postmodernist artin that the playfulness and conviviality inherent in carnival theory seems to miniature thepostmodern condition.
Carnival is manifested in a variety of ways, either in the grotesque and dualism oflanguage and character, or the dialogue and polyphony of textual structure. Nevertheless,taken as a whole, Bakhtin's carnival theory is based on the fact that on the one hand, he takesfolk culture as a corporeal drama in which birth, growing, eating, drinking, evacuation,excretion and death are on show successively and on the other hand, he formulates a myth ofambivalence that denies the end by sublimating death through laughter. Materialism andambivalence thus can be taken as two starting point of Bakhtin's carnival theory. By ridiculingspiritualism, death, definiteness and finiteness, folk culture seeks to suspend the dualism ofmind and matter, extend the hegemony of authoritarian institutions and materialize hisUtopian dream. In the Utopian world, the boundary of hierarchy is transgressed and people ofdifferent social status are allowed to make a dialogue. Bakhtin's carnival theory, in thatconcern, gives a full play to the spirit of subversion, dialogue, transgression and changes andrenewal.
With reference to Bakhtin's carnival theory, an attentative examination of Midnight'sChildren exhibits that the novel abounds with carnivalesque elements, like carnival language,material body principle, laugher, parody, grotesque imagery and heteroglossia, etc. Bakhtin'scarnival theory is both a type of cultural poetics and a type of stylistic poetics. As a type ofcultural poetics, carnival theory not only reveals the influence of folk culture on the languageand characterization of literary creation, but also helps to unearth the literary value ofgrotesque and vulgarity which were marginalized by classic aesthetics in the literary history.
As a type of stylistics, carnival theory contributes to the interpretation of literary works a newperspective and methodology – dialogue. Rushdie's linguistic practice proves to be aquintessence of an avant garde literary attempt. This concept of carnival speech as a languagefree from official norms and used deliberately to subvert official linguistic standards, acquiresa particular significance for the postcolonial writer. Rushdie's another artistic attainments areembodied in his ingenious characterization. Referring to carnival theory, carnival charactersare generally characterized by grotesque appearance, rebellious act, hallucinations andinsanity. Another artistic feature that serves to carnivalize the novel is the intertextualdialogue. The novel, a fertile site for the staging of the carnivalesque as a centrifugal force,provides a vantage point by which a dialogue between a plurality of ideas, ideologies andindividuals may be represented – especially in an atmosphere of weakening central control.
-
医学类职称论文的摘要写作要求
1、摘要的写作要求在撰写医学职称论文的摘要时.应尽可能达到四性’,即①创新性:要突出论文的创新部分.如新方法、新技术、新见解、新发现、新观点、新理论等。⑧科学性:要准确地反映论文的主要内容.不得夸大或缩小,数据必须经统计学处理.动物数、病例、实验...
-
网络营销参考文献
1[美]philipkotler著.梅汝和等译.营销管理.北京:中国人民大学出版社,XX2赵乃真主编.网络营销.北京:中国劳动社会保障出版社,XX3[美]budsmith等著.王思宁等译.网上营销指南.北京:电子工业出版社,XX4[美]marthamcenally著.袁瑛等译.消费者行为学案例.北京:清华大学出版...
-
论文提纲写作应注意的问题
为使观点和材料能在一篇文章中得到有机的统一,必须设置一个能把观点和材料包括进去的逻辑框架,这个逻辑框架就是文章的结构。简单的说,结构即文章的内部构造,安排结构即谋篇布局,设定文章的总体格局。安排论文的结构,主要应当做好以下两项工作:1、确定结构程序所谓结...
-
编写毕业论文提纲要注意两个方面大纲
第一,编写毕业论文提纲有两种方法:一是标题式写法。即用简要的文字写成标题,把这部分的内容概括出来。这种写法简明扼要,一目了然,但只有作者自己明白。毕业论文提纲一般不能采用这种方法编写;二是句子式写法。即以一个能表达完整意思的句子形式把该部分内容概括出...